Kentaro Otani

Kentaro Otani

出生 : 1965-11-14, Kyoto Prefecture - Japan

プロフィール写真

Kentaro Otani

参加作品

不協和音 炎の刑事 VS 氷の検事
Director
Based on the novel by Daimon Takeaki about brothers who were separated after the death of their father and reunited as police detective and prosecutor.
4月の君、スピカ。
Director
A high school girl, Sei Saotome, unexpectedly is transferred to an elite high school in Nagano prefecture due to her parents' house-moving. One day, she meets Mizuki and Taiyo, and is invited to join astronomy club with them. The personalities of two boys are completely opposite from each other. Sei, Mizuki and Taiyo struggle with sorrowful and impatient love-triangle...
ハルさん~花嫁の父は名探偵!?
Director
Dollmaker Haruhiko Kasukabe, nicknamed Haru-san, lost his wife Ruriko in an airplane crash 22 years ago and has been living with his only daughter Furi since then. It is the day of Furi's wedding. However, Furi only told Haruhiko about the wedding a month before. Since the bridegroom had some trouble at his overseas job, he was only able to return to Japan the day of the wedding, so Haruhiko has not met him even once. What kind of man did Furi choose to marry, and why did she hide such an important thing for so long...!? Haruhiko, worrying over all this, shuts himself in his room and decides not to go to the wedding... then, something completely unexpected happens to him. His late wife Ruriko appears before him. The truth is, she has appeared at Haruhiko's side many times before. What could be Ruriko's goal...
このミステリーがすごい!
Director
このミステリーがすごい!大賞受賞の作家の短編小説をドラマ化。2015年の第2弾。
このミステリーがすごい!
Screenplay
このミステリーがすごい!大賞受賞の作家の短編小説をドラマ化。2015年の第2弾。
このミステリーがすごい! ベストセラー作家からの挑戦状
Director
このミステリーがすごい!大賞受賞の作家4人(安生正、乾緑郎、海堂尊、中山七里)が書き下ろした短編小説集「このミステリーがすごい! 4つの謎」に収録された4話をドラマ化したオムニバス形式となっており、映画監督経験のある大谷健太郎、金子修介、星護、古澤健が各話の監督を務め、案内役を樹木希林と又吉直樹が務める。
がじまる食堂の恋
Director
Mizuho takes over a restaurant in Nago, Okinawa, which was left to her by her grandmother. She single-handedly runs “Gajimaru Diner”, named after the large, deeply-rooted Gajimaru (banyan) tree in the area. Eventually, circumstances lead to her being brought together with an unknown traveler named Hayato, her ex-boyfriend Shota who returns after living in Tokyo for the past seven years, and a woman named Riko who shares something with both of them. As they work at the diner together, their relationships reveal themselves differently than what they had in mind.
黒執事
Director
犯罪組織が若い女性を多数さらい監禁する倉庫内で、その組織を探る一人の少女が構成員に追及される。そこへ現れた彼女の執事は、十数名の敵を一人であっさりと殺害して彼女を救いだす。銃で撃たれても全く傷つかないこの男・セバスチャンの正体は悪魔で、彼の主人である幻蜂伯爵家の若き当主・清玄こと男装した少女の汐璃が幼い頃両親を目の前で殺害されたとき以来、死の際にその魂を食らうことと引き換えに契約を結び仕えている。映画の舞台となる2020年では、世界は西側と東側に別れ、西側を治める女王は東側某国の幻蜂家に命じて公にできないさまざまな事件を「処理」しており、彼らは当局に正体不明の「女王の番犬」として警戒されている。清玄は女王の命により、セバスチャンと共に大使館員が次々にミイラ化した遺体で発見されるという怪事件を追いつつ、いつか両親の敵を討つことを願っている。
LOVE まさお君が行く!
Director
Go, Masao! describes the relationship between people and their dogs. Comedian Hideki Matsumoto and a labrador retriever named Masao are selected to appear on the travel corner segment of a TV animal program. Until Hideki Matsumoto and the labrador retriever Masao become popular, they help each other.
ヤング ブラック・ジャック
Director
On Christmas day, a bomb explodes in a shopping mall. The explosion was perpetrated by a serial bomber. A 9-year-old boy Kuro Hazama and his mother Mitsuko (Naho Toda) are seriously and transfered to a university hospital. With the elite skills of surgeon Dr. Jontaro Honma (Masachika Ichimura), Kuro survives, but is shocked to learn his mother is in a coma. Dr. Honma tells Tokio that when medical science advances, Michiko might one day awake. Tokio decides then to become a doctor. 15 years later, 24-year-old Kuro is a medical student and his mother is still in a coma. Kuro researches ways to awaken his mother whilst practising medicine without a licence.
ランウェイ☆ビート
Director
天才的なファッションセンスを持つイケメン転校生と仲間たちが、廃校の危機に直面した高校の文化祭のファッションショーに挑戦する姿を描いた青春ドラマ。幅広い層から支持される原田マハの小説を、『NANA』シリーズの大谷健太郎監督が映画化。持ち前のセンスでバラバラだったクラスをまとめ上げていく主人公にD-BOYSの瀬戸康史、ヒロインには『サマーウォーズ』の桜庭ななみがふんする。夢に向かって突き進んでいく高校生たちの成長物語が、さわやかな感動を誘う。
ジーン・ワルツ
Director
「チームバチスタの栄光」「ジェネラル・ルージュの凱旋」などで知られる現役医師作家・海堂尊のベストセラー小説を映画化した医療ミステリー。「約三十の嘘」「NANA」の大谷健太郎監督がメガホンをとり、菅野美穂が主演を務める。帝華大学病院の医師で顕微授精のスペシャリスト・曾根崎理恵は、非常勤で廃院寸前の小さな産婦人科医院「マリアクリニック」の院長代理を務めていた。しかし、大学病院のエリート医師・清川吾郎に、そこで国内でタブー視されている遺伝子技術を用いた代理母出産を行ったという疑惑をかけられてしまう。
NANA2
Writer
大崎ナナ(中島美嘉)率いるBLACK STONES(ブラスト)は、メジャーデビューに向けて充実した毎日を送っていた。一方で、同居生活をしている“ハチ”こと小松奈々(市川由衣)はライバルのバンド、TRAPNEST(トラネス)のリーダー、タクミと関係を持ち、それをナナに打ち明けられずにいた。そんな中、ハチの身に予想外の出来事が起きる。
NANA2
Director
大崎ナナ(中島美嘉)率いるBLACK STONES(ブラスト)は、メジャーデビューに向けて充実した毎日を送っていた。一方で、同居生活をしている“ハチ”こと小松奈々(市川由衣)はライバルのバンド、TRAPNEST(トラネス)のリーダー、タクミと関係を持ち、それをナナに打ち明けられずにいた。そんな中、ハチの身に予想外の出来事が起きる。
ラフ
Director
ともに和菓子店を営む家に生まれ、商売仇として競うように育った圭介と亜美。2人は、同じ高校の水泳部で圭介は競泳選手として、亜美は飛び込み選手として再会する。次第に互いを意識する2人だったが、亜美には家業が傾いたときに助けてくれた年上の婚約者・弘樹がいた。競泳自由形日本チャンピオンでもある弘樹は、圭介にとって恋でも競泳でも最大のライバルとして立ちはだかる。そんなある日、弘樹が交通事故に遭う。
NANA
Screenplay
パンクバンド“ブラスト”のヴォーカリスト・大崎ナナと、恋人・章司を追いかけて東京へ向かおうとしていた小松奈々。同い年、同じ名前のふたりが出会ったのは、上りの新幹線の中だった。クールなナナとキュートな奈々、見た目や性格は違うけどすっかり意気投合したふたりは、河を望む古いマンションの一室で共同生活を始めた。数日後、ギタリストのノブとドラマーのヤスが、新曲を携え上京して来た。新メンバーにベースのシンを加え、活動を再開するブラスト。ナナは、歌に賭ける気持ちを燃やす。一方、奈々はつれない章司に不満を募らせていた。実は、章司は思い込みの激しい奈々に疲れ、同じバイト先で知り合った大学の同級生でもある幸子に心変わりしていたのだ。彼は、奈々の目の前で幸子を選ぶ。傷心の奈々に、人気バンド“TRAPNEST”のライヴ・チケットが届いた。そのギタリストであるレンが、かつてブラストのメンバーでナナの恋人だったことを知った彼女は、ナナを誘ってライヴに出かける。レンが引き抜かれバンドを脱退した時に、愛し合いながらも別れた筈のナナとレン。しかしライヴ当日、再会を果たしたふたりは愛を再燃させるのであった。それから暫くして、奈々がバイトをクビになった。落ち込む彼女に、ナナが用意してくれたプレゼント。彼女は、奈々の大ファンであるTRAPNESTのヴォーカリスト、タクミを部屋に招いてくれたのだ。――20歳を過ぎ、甘えてばかりいられない現実の中で、とびきり甘い夢を見せてくれたナナ。それは、奈々にとってとても幸福な初恋みたいな時間だった。
NANA
Director
パンクバンド“ブラスト”のヴォーカリスト・大崎ナナと、恋人・章司を追いかけて東京へ向かおうとしていた小松奈々。同い年、同じ名前のふたりが出会ったのは、上りの新幹線の中だった。クールなナナとキュートな奈々、見た目や性格は違うけどすっかり意気投合したふたりは、河を望む古いマンションの一室で共同生活を始めた。数日後、ギタリストのノブとドラマーのヤスが、新曲を携え上京して来た。新メンバーにベースのシンを加え、活動を再開するブラスト。ナナは、歌に賭ける気持ちを燃やす。一方、奈々はつれない章司に不満を募らせていた。実は、章司は思い込みの激しい奈々に疲れ、同じバイト先で知り合った大学の同級生でもある幸子に心変わりしていたのだ。彼は、奈々の目の前で幸子を選ぶ。傷心の奈々に、人気バンド“TRAPNEST”のライヴ・チケットが届いた。そのギタリストであるレンが、かつてブラストのメンバーでナナの恋人だったことを知った彼女は、ナナを誘ってライヴに出かける。レンが引き抜かれバンドを脱退した時に、愛し合いながらも別れた筈のナナとレン。しかしライヴ当日、再会を果たしたふたりは愛を再燃させるのであった。それから暫くして、奈々がバイトをクビになった。落ち込む彼女に、ナナが用意してくれたプレゼント。彼女は、奈々の大ファンであるTRAPNESTのヴォーカリスト、タクミを部屋に招いてくれたのだ。――20歳を過ぎ、甘えてばかりいられない現実の中で、とびきり甘い夢を見せてくれたナナ。それは、奈々にとってとても幸福な初恋みたいな時間だった。
約三十の嘘
Screenplay
三年前にチームで行った詐欺の仕事で金を持ち逃げされたリーダー志方(椎名桔平)は、腑抜けた生活を送っていた。チームのメンバーだった久津内(田辺誠一)が今回リーダーとなり、北海道での物販詐欺のためにチームを招集する。志方、久津内、そして以前メンバーだった宝田(中谷美紀)、佐々木(妻夫木聡)、今回新たに加わった横山(八嶋智人)らの5人は、大阪駅からトワイライトエクスプレスに乗り北海道を目指す。途中で3年前に金を持ち逃げした今井(伴杏里)が久津内の仲裁でチームに加わることとなった。北海道での仕事は大成功を収め、一行は再びトワイライトエクスプレスで帰路につくが、途中で金の入ったトランクが忽然と消えてしまう‥‥
約三十の嘘
Director
三年前にチームで行った詐欺の仕事で金を持ち逃げされたリーダー志方(椎名桔平)は、腑抜けた生活を送っていた。チームのメンバーだった久津内(田辺誠一)が今回リーダーとなり、北海道での物販詐欺のためにチームを招集する。志方、久津内、そして以前メンバーだった宝田(中谷美紀)、佐々木(妻夫木聡)、今回新たに加わった横山(八嶋智人)らの5人は、大阪駅からトワイライトエクスプレスに乗り北海道を目指す。途中で3年前に金を持ち逃げした今井(伴杏里)が久津内の仲裁でチームに加わることとなった。北海道での仕事は大成功を収め、一行は再びトワイライトエクスプレスで帰路につくが、途中で金の入ったトランクが忽然と消えてしまう‥‥
アベック モン マリ
Mitsuko's brother
Mitsuko has a prestigious job as an editor at a publishing company, while her husband Tomatsu works as a freelance photographer, but he spends all of his time taking care of housework. One day, Mitsuko suspects Tomatsu is having an affair with Mayu, a model, and immediately throws him out. With no place to go, he moves in with Mayu, disrupting her affair with Nakazaki, who happens to work with Mitsuko.
アベック モン マリ
Screenplay
Mitsuko has a prestigious job as an editor at a publishing company, while her husband Tomatsu works as a freelance photographer, but he spends all of his time taking care of housework. One day, Mitsuko suspects Tomatsu is having an affair with Mayu, a model, and immediately throws him out. With no place to go, he moves in with Mayu, disrupting her affair with Nakazaki, who happens to work with Mitsuko.
アベック モン マリ
Director
Mitsuko has a prestigious job as an editor at a publishing company, while her husband Tomatsu works as a freelance photographer, but he spends all of his time taking care of housework. One day, Mitsuko suspects Tomatsu is having an affair with Mayu, a model, and immediately throws him out. With no place to go, he moves in with Mayu, disrupting her affair with Nakazaki, who happens to work with Mitsuko.
私と、他人になった彼は
Noboru and Mika are former lovers. They have never seen each other since Noboru broke up with her because of his infidelity, but after a dispute over a debt, they decide to meet again for the first time in six months. As they spend the night alone, their intentions become intertwined, and the subtle interplay of truth and lies in their conversations reveals more and more of the unrequited feelings of their former lovers... In this vivid romantic drama, the psychology of a man and a woman who have parted ways, but in their hearts have not yet become strangers, is portrayed more realistically than in reality, using documentary techniques. In the latter half of the film, the conflict between the two men's hearts is clearly revealed through their conversations alone, and the film is brilliantly directed.
私と、他人になった彼は
Producer
Noboru and Mika are former lovers. They have never seen each other since Noboru broke up with her because of his infidelity, but after a dispute over a debt, they decide to meet again for the first time in six months. As they spend the night alone, their intentions become intertwined, and the subtle interplay of truth and lies in their conversations reveals more and more of the unrequited feelings of their former lovers... In this vivid romantic drama, the psychology of a man and a woman who have parted ways, but in their hearts have not yet become strangers, is portrayed more realistically than in reality, using documentary techniques. In the latter half of the film, the conflict between the two men's hearts is clearly revealed through their conversations alone, and the film is brilliantly directed.
私と、他人になった彼は
Script
Noboru and Mika are former lovers. They have never seen each other since Noboru broke up with her because of his infidelity, but after a dispute over a debt, they decide to meet again for the first time in six months. As they spend the night alone, their intentions become intertwined, and the subtle interplay of truth and lies in their conversations reveals more and more of the unrequited feelings of their former lovers... In this vivid romantic drama, the psychology of a man and a woman who have parted ways, but in their hearts have not yet become strangers, is portrayed more realistically than in reality, using documentary techniques. In the latter half of the film, the conflict between the two men's hearts is clearly revealed through their conversations alone, and the film is brilliantly directed.
私と、他人になった彼は
Director
Noboru and Mika are former lovers. They have never seen each other since Noboru broke up with her because of his infidelity, but after a dispute over a debt, they decide to meet again for the first time in six months. As they spend the night alone, their intentions become intertwined, and the subtle interplay of truth and lies in their conversations reveals more and more of the unrequited feelings of their former lovers... In this vivid romantic drama, the psychology of a man and a woman who have parted ways, but in their hearts have not yet become strangers, is portrayed more realistically than in reality, using documentary techniques. In the latter half of the film, the conflict between the two men's hearts is clearly revealed through their conversations alone, and the film is brilliantly directed.
青緑
Producer
Momoko and Kentaro are lovers. During the summer holiday, Momoko invites Kentaro on a trip, but he is not sure. Then, a small incident occurs, and their relationship becomes stormy. Momoko decides to go on a trip by herself, and Kentaro follows in her footsteps... The film is a documentary-style depiction of the feelings of two lovers who are embittered, sulking and wavering over trivial matters. It's a documentary-style film, and it really gets to the heart of what it means to be in love. It's so real!
青緑
Script
Momoko and Kentaro are lovers. During the summer holiday, Momoko invites Kentaro on a trip, but he is not sure. Then, a small incident occurs, and their relationship becomes stormy. Momoko decides to go on a trip by herself, and Kentaro follows in her footsteps... The film is a documentary-style depiction of the feelings of two lovers who are embittered, sulking and wavering over trivial matters. It's a documentary-style film, and it really gets to the heart of what it means to be in love. It's so real!
青緑
Director of Photography
Momoko and Kentaro are lovers. During the summer holiday, Momoko invites Kentaro on a trip, but he is not sure. Then, a small incident occurs, and their relationship becomes stormy. Momoko decides to go on a trip by herself, and Kentaro follows in her footsteps... The film is a documentary-style depiction of the feelings of two lovers who are embittered, sulking and wavering over trivial matters. It's a documentary-style film, and it really gets to the heart of what it means to be in love. It's so real!
青緑
Momoko and Kentaro are lovers. During the summer holiday, Momoko invites Kentaro on a trip, but he is not sure. Then, a small incident occurs, and their relationship becomes stormy. Momoko decides to go on a trip by herself, and Kentaro follows in her footsteps... The film is a documentary-style depiction of the feelings of two lovers who are embittered, sulking and wavering over trivial matters. It's a documentary-style film, and it really gets to the heart of what it means to be in love. It's so real!
青緑
Director
Momoko and Kentaro are lovers. During the summer holiday, Momoko invites Kentaro on a trip, but he is not sure. Then, a small incident occurs, and their relationship becomes stormy. Momoko decides to go on a trip by herself, and Kentaro follows in her footsteps... The film is a documentary-style depiction of the feelings of two lovers who are embittered, sulking and wavering over trivial matters. It's a documentary-style film, and it really gets to the heart of what it means to be in love. It's so real!