Octavio Cortázar

参加作品

Derecho de asilo
Director
In an imaginary country in Latin America, a man asks for asylum in an embassy. Trickery, passion, and intrigue are the motives of his actions.
The Last Rumba of Papa Montero
Director
Explores the sensuous rhythms and movements of the dance style known as the rumba, as demonstrated by the celebrated Havana rumbero Papá Montero. Blending vintage documentary footage with meticulously staged recreations, the dancer's tragic assassination at Carnival is connected with the passing of a cultural era in Cuban life.
La ultima rumba de papa Montero
Script
El brigadista
Writer
The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.
El brigadista
Director
The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.
Hablando del punto cubano
Writer
Analyzes the typical features of the punto, a Cuban musical tradition from the days of Spanish colonialism.
Hablando del punto cubano
Director
Analyzes the typical features of the punto, a Cuban musical tradition from the days of Spanish colonialism.
For the First Time
Writer
In 1967, Cuban documentary filmmaker Octavio Cortazar followed a projectionist whose mission was to show moving pictures to rural communities for the first time. Cortazar’s short film documents one audience’s response to its first film: Charlie Chaplin’s Modern Times.
For the First Time
Director
In 1967, Cuban documentary filmmaker Octavio Cortazar followed a projectionist whose mission was to show moving pictures to rural communities for the first time. Cortazar’s short film documents one audience’s response to its first film: Charlie Chaplin’s Modern Times.
Acerca de un personaje que unos llaman San Lázaro y otros llaman Babalú
Writer
Documentary about the 17th December, the date on which one commemorates St. Lazarus. This occasion is a day of celebration for Cuba, where Catholics and believers of African religion alike make a pilgrimage to El Rincón, outside Havana.
Acerca de un personaje que unos llaman San Lázaro y otros llaman Babalú
Director
Documentary about the 17th December, the date on which one commemorates St. Lazarus. This occasion is a day of celebration for Cuba, where Catholics and believers of African religion alike make a pilgrimage to El Rincón, outside Havana.
Para quién baila La Habana
Assistant Director