Katiuscia Canoro

Katiuscia Canoro

出生 : 1978-12-04, Curitiba, Paraná, Brazil

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Katiuscia Canoro

参加作品

Vai Dar Nada
Suzi
Tô Ryca 2
Luane
Selminha is back! Now she is rich, paying top dollar for everything she needs and wants. The problem is that a poor person’s happiness is brief. A namesake heir appears claiming that she is the legitimate inheritor. Selminha’s assets are frozen and her only source of income is what the courts have stipulated until they resolve the case: a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardship, bankruptcy, and disgrace of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.
機内モードな私
Carola
When Ana, an influencer, crashes her car while talking on the phone, she's shipped to her grumpy grandfather's farm -- and forced into a digital detox.
Sai de Baixo: O Filme
Sundae
Based on the classic Brazilian television series that conquered audiences during Sunday night prime time on TV Globo, with improv that happens like in scenes of a play. The feature film’s structure maintains the members of a middle-class family from São Paulo, their maid, and the building’s doorman. It’s the return of iconic characters like Caco Antibes, Magda and Ribamar, and also new characters.
Tô Ryca!
Luane
Selminha is a lower-class woman who receives a family inheritance, but only if she meets the challenge of spending 30 million reais in 30 days, without accumulating anything. However, in this marathon, she will find out that there are things that money does not buy.
A Esperança é a Última que Morre
Vanessa
Didi e o Segredo dos Anjos
Dolores
E Aí... Comeu?
Aninha Tarja Preta
The real first comedy about love.
Sem Ana
Lady Photographer
Sem Ana
Thanks
O Clube das Mulheres de Negócios
Set in an imaginary world where gender stereotypes are inverted, that is, women occupy positions of power while men are raised to be socially submissive. Emerging issues are addressed, not just machismo, but racism, classism and corruption, rooted in the patriarchal culture of Brazil and the world.