Self
In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.
Photographer
A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man does not intend to be a kidnapper – he asks the girl to phone her mother and tell her she's with him. During their trip they meet various people, but they always must continue on, lest the man be arrested.
Still Photographer
農業とエロチシズムを二本の柱として、単純再生産を基本としたユートピア集団の実現を計る人物と、偶然そこにまぎれ込んだ新左翼系の男女学生四人が中心となり、恋人交換、暴行、サディズムなど、さまざまな型の性を描きながら、よりよく、われわれが抱いている日本そのものへのアプローチを試みた作品。脚本、監督は「無常」でコンビを組んだ石堂淑朗と実相寺昭雄。撮影も同作の稲垣涌三がそれぞれ担当。なお、イナガキ・スコープというワイド版が一部使用されている。
Cinematography
Paper-Scissor-Rock wars draws an episode where the two generals portray the Second World War, mostly through the rock-scissors-bag, but also by some absurd torture techniques that bring to mind some sort of Japanese artificial 70s jack ass. To the sound of classical music, birds chirping and Nazi incendiary speeches travels generals, ever contestant in the seemingly meaningless game around at an abandoned industrial area.
Cinematography
In a Japanese colony, children overthrow their parental guardians and attempt to form a new society. Their plan spirals out of control and they are soon lost in a web of sexual deviation and violence.
