Self
In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.
Photographer
A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man does not intend to be a kidnapper – he asks the girl to phone her mother and tell her she's with him. During their trip they meet various people, but they always must continue on, lest the man be arrested.
Still Photographer
About two student couples who become members of an obscure sect. The cult seeks a prehistoric utopia with free sex and without society's norms and values. The students are torn between ambient pressure and the sect leader's authority to organ music in the creative camera angles.
Cinematography
Paper-Scissor-Rock wars draws an episode where the two generals portray the Second World War, mostly through the rock-scissors-bag, but also by some absurd torture techniques that bring to mind some sort of Japanese artificial 70s jack ass. To the sound of classical music, birds chirping and Nazi incendiary speeches travels generals, ever contestant in the seemingly meaningless game around at an abandoned industrial area.
Cinematography
Um grupo de crianças vestidas com uniformes militares revoltam-se contra os pais e começam a caçar e a matar adultos. Um grupo de meninas despem-se enquanto cantam: “Quando eu crescer e me tornar numa prostituta…” Silhuetas vão dar à praia e dançam nuas ouvindo o bater das ondas. Duas crianças vestidas de ditadores fazem um jogo interminável de Pedra, Papel ou Tesoura até só um resistir. Crianças privam relações sexuais com mulheres adultas pintadas de branco, enquanto que outras arrastam corpos crescidos pela terra anarquicamente deserta. Tudo isto ao som de Wagner, Stravinski e Tchaikovski.
