Françoise Arnaud

On a night of April 1957, Albertine, a brillant and rebel 19-year-old girl, jumps from the wall of the prison where she’s serving a sentence for a holdup. In her fall, a bone from her ankle breaks: the astragal. She is rescued by Julien, a justice fugitive, and so is born a burning passion between them. He takes her to Paris and hides her. But while he leads his gangster life here and there, the young woman struggles for her freedom and against the wounds inflicted by Julien’s absence, and writes poetry.

On a night of April 1957, Albertine, a brillant and rebel 19-year-old girl, jumps from the wall of the prison where she’s serving a sentence for a holdup. In her fall, a bone from her ankle breaks: the astragal. She is rescued by Julien, a justice fugitive, and so is born a burning passion between them. He takes her to Paris and hides her. But while he leads his gangster life here and there, the young woman struggles for her freedom and against the wounds inflicted by Julien’s absence, and writes poetry.

Li Qin leaves her temperamental husband and unknowingly provides a trail for a detective who has been, for months, secretly devoted to her. In the wake of their one-way chase, a Chinese businessman wanders around town; two magicians attempt to overcome a crisis, and a waitress is desperate for stability. Some will find what they are looking for, some will find each other, and some simply will not.

Li Qin leaves her temperamental husband and unknowingly provides a trail for a detective who has been, for months, secretly devoted to her. In the wake of their one-way chase, a Chinese businessman wanders around town; two magicians attempt to overcome a crisis, and a waitress is desperate for stability. Some will find what they are looking for, some will find each other, and some simply will not.

Unable to forget her first love, Félicité, a simple and kind maid, devotes herself completely to her new master, Mathilde Aubain. As the passing of time doesn't heal her wounds, she gives love to all those who surround her: Mathilde's children, her nephew Victor. But fate seems to always deny her from any love in return. Still she tries to find someone who'll accept her unconditional love.

A rebellious teenager and a "border-line" young nurse will learn to tame each other and get a fresh start in life...

Avril is a novice in a convent of "Baptistine" sisters, a monastic order which was officially dissolved by the end of the nineteenth century but that is kept alive by Mère Marie Joseph, the sadistic superior. While Avril is on retreat, locked in for a fortnight in a chapel prior to taking her vows, Soeur Bernadette, a sympathetic sister, discloses a secret to her: she has a twin brother...

Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.

Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.

The story is inspired by the biblical myth of Lazarus. The main character is called Lazarus who was a follower of Jesus, brother of Martha and Mary who was resurrected by Jesus.

The story is inspired by the biblical myth of Lazarus. The main character is called Lazarus who was a follower of Jesus, brother of Martha and Mary who was resurrected by Jesus.

First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.

First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

Jean-Louis Matouzec works for French National Library as an expert looking after the restoration of old manuscripts.He falsifies marriage certificates as his wife refuses divorce.

Pétepan learns that his money has been lost by Robinhoude brothers.He asks his assistants to withdraw his amount from the bank.