Costume Design
1957, uma noite em Abril. Albertine, uma jovem de 19 anos brilhante e rebelde, salta o muro da prisão onde cumpria pena por roubo. Ao cair, parte um osso do pé: o astrágalo. É resgatada por Julien, fugitivo da justiça, e ambos se apaixonam perdidamente. Ele leva-a para Paris, onde a esconde em casa de um amigo. Enquanto ele continua a viver a sua vida de bandido na província, ela aprende a viver na capital. Julien é então apanhado e preso. Albertine, sozinha e procurada pela polícia vive de esconderijo em esconderijo, encontro em encontro, lutando contra a sua fragilidade pela sua liberdade e tenta suportar a dolorosa ausência de Julien escrevendo poesia.
Production Design
1957, uma noite em Abril. Albertine, uma jovem de 19 anos brilhante e rebelde, salta o muro da prisão onde cumpria pena por roubo. Ao cair, parte um osso do pé: o astrágalo. É resgatada por Julien, fugitivo da justiça, e ambos se apaixonam perdidamente. Ele leva-a para Paris, onde a esconde em casa de um amigo. Enquanto ele continua a viver a sua vida de bandido na província, ela aprende a viver na capital. Julien é então apanhado e preso. Albertine, sozinha e procurada pela polícia vive de esconderijo em esconderijo, encontro em encontro, lutando contra a sua fragilidade pela sua liberdade e tenta suportar a dolorosa ausência de Julien escrevendo poesia.
Costume Design
Production Design
Costume Design
Podemos mudar a vida em uma noite?
Sob um céu caprichoso, seis almas perdidas se tornarão heróis de uma imprevisível história de amor, pungente, cruel e agitado.
Production Design
Podemos mudar a vida em uma noite?
Sob um céu caprichoso, seis almas perdidas se tornarão heróis de uma imprevisível história de amor, pungente, cruel e agitado.
Costume Design
Production Design
Production Design
Unable to forget her first love, Félicité, a simple and kind maid, devotes herself completely to her new master, Mathilde Aubain. As the passing of time doesn't heal her wounds, she gives love to all those who surround her: Mathilde's children, her nephew Victor. But fate seems to always deny her from any love in return. Still she tries to find someone who'll accept her unconditional love.
Production Design
A rebellious teenager and a "border-line" young nurse will learn to tame each other and get a fresh start in life...
Production Design
Avril foi abandonada quando nasceu e as irmãs de uma ordem monástica, que foi oficialmente dissolvida no final do século XIX, mas que é mantida viva por Mère Marie Joseph, a superior sádica. As freiras querem que Avril se torne uma das seguidoras. Quando Avril está trancada por quinze dias no retiro para fazer os votos, Soeur Bernadette, uma simpática irmã, divulga que Avril tem um irmão gêmeo e a incentiva a procurá-lo.
Costume Design
Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.
Production Design
Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.
Costume Design
The story is inspired by the biblical myth of Lazarus. The main character is called Lazarus who was a follower of Jesus, brother of Martha and Mary who was resurrected by Jesus.
Decorator
The story is inspired by the biblical myth of Lazarus. The main character is called Lazarus who was a follower of Jesus, brother of Martha and Mary who was resurrected by Jesus.
Costume Design
First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.
Production Design
First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.
Nini, ouvrière
Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.
Une femme du potier
Jean-Louis Matouzec works for French National Library as an expert looking after the restoration of old manuscripts.He falsifies marriage certificates as his wife refuses divorce.
Une timide
Pétepan learns that his money has been lost by Robinhoude brothers.He asks his assistants to withdraw his amount from the bank.
Mariette, la bonne
