Hana Maria Pravda

Spirited New Yorker Linda Voss goes to work for international lawyer and secret Office of Strategic Services operative Ed Leland just before World War II. As they fall in love, the United States enters the fight against Hitler, and Linda volunteers to work for Ed spying undercover behind Nazi lines. Assigned to uncover information about a German bomb, Linda also has personal motives to fulfill: discovering the fate of her Jewish family members in Berlin.

Czechoslovakia, 1952. For some, life under the post-war Stalinist regime is hardly worth living and although the escape route to the West is almost suicide, the rewards - prosperity, political freedom, even luxury - make it a risk worth taking.

Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhoods.

Vicky's ex-husband, John, invites her on a trip to communist Prague. First John disappears, then her passport. Vicky finds herself alone and penniless in Prague and becomes a tragic pawn caught in a web of espionage and murder.

Dracula is searching for a woman who looks like his long dead wife.

Two young English women go on a cycling tour of the French countryside. When one of them goes missing, the other begins to search for her. But who can she trust?

When an unauthorized letter is sent to Moscow alleging the U.S. government's willingness to help Russia attack China, former naval officer Charles Rone and his team are sent to retrieve it. They go undercover, successfully reaching out to Erika Kosnov, the wife of a former agent, now married to the head of Russia's secret police. Their plans are interrupted, however, when their Moscow hideout is raided by a cunning politician.

Comedy set in a refugee camp in occupied Austria after World War II. A shrewd multi-lingual interpreter who mediates between Russian and British military brass enters into a friendly rivalry with British Major Giles Burnside, who is in charge of assigning the displaced persons into either the American or Russian zones.

At the end of the First World War, Nikola Shuhai and his friend from the army desert. On the way home, to the village of Kolochava, they both find refuge with baby Jaga. Jaga mixes them a drink to protect them from the deadly bullets. The bachelors must promise to marry her daughters in exchange for a drink, or they will be punished. Nikola finds his home village in poverty. He stands against the powerful and the rich, and they turn the gendarmes against him. Nikola hides from them in the woods, where he will remain even after the end of the war, because nothing has changed for the villagers. Out of poverty and hopelessness, other men join Nikola and together they raid the wealthy. Nikola distributes the obtained booty to the poor and needy, who see him as their protector and hero.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).