Visual Effects
The unlikely friendship of two twenty-somethings in Seattle blossoms, complicates, and ultimately redefines their understanding of sexuality and modern relationships.
Digital Imaging Technician
Quinn Forte had it all: power, money, a brother who idolized him, and a woman who loved him. He also had enemies. In the course of one night, he loses everything. Betrayed by someone in his inner circle, Quinn is set up and arrested. His father, the patriarch of the criminal empire is killed and his brother suspects that Quinn is behind it all. When he's released from jail he tries to escape the demons from his past, but that becomes an impossible task. Campbell, the ruthless new leader of "The Company" won't let him leave in peace. So instead of escaping them, Quinn fights back. He joins forces with his former henchman and friend, The Swede, and takes on his enemies head on.
Digital Imaging Technician
A petty robbery spirals into a tense hostage situation after three gunmen hold up a diner that's a front for the mob.
Colorist
When an experimental lethal-injection has the unexpected result of making an inmate immortal, the most vicious convicts steal it to take over the prison and the world.
Visual Effects
Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.
Visual Effects
息子のオリヴァーに、ゲイであることをカミングアウトしたハル。妻に先立たれ、自身もガンを宣告されるが、父は75歳にして新たな人生をスタートさせる。一方、オリヴァーは38歳になっても、内気な性格からなかなか恋をすることができない。しかし父が亡くなった後に仲間から呼び出されたパーティーで、運命の女性アナと出会い……。＜同性愛をカミングアウトした父親と初めて恋をした38歳の息子の姿を通して、人はいつでも新たなスタートが切れることを感動的にうたい上げる人生賛歌。マイク・ミルズ監督が、自身と父との体験を基に脚本を書き上げ映画化。ユアン・マクレガーとクリストファー・プラマーが父子を演じ、メラニー・ロランが共演する。殻を破ることで幸せをつかむ登場人物たちを生き生きと好演し、観る者の共感を呼ぶ。＞
Second Unit Director of Photography
Upon returning to their countryside cabin one day, Kaya, his wife Helen, and their daughter Naomi are confronted by two suited men: representatives of the San Francisco Remigration Program. The men explain that San Francisco is now occupied entirely by the wealthy class. But stoplights still burn out and trains occasionally jump their rails. Blue-collar labor isn't obsolete, but it's scarce. The city has created a program to "remigrate" long-gone working class families from their inland homes back to the city that once pushed them out. Kaya, Helen, and Naomi return to San Francisco and join a handful of other potential remigrants for a tour of what can be expected in their new lives. But can they learn to trust their old home once again?
