Ataru Oikawa
出生 : 1957-09-05,
略歴
Ataru Oikawa is a Japanese film director and screenwriter. While working as an editor at Magazine House, he wrote screenplays, and made his debut as a screenwriter with his original scenario DOOR. Later, he quit Magazine House and became a film director.
Screenplay
A survival action thriller written and directed by Oikawa Ataru, who has been a leading figure on the Japanese low-budget horror scene since his breakthrough work Tomie. Its blood-drenched visuals tell a story of high school girls engaging in a battle to the death as part of a game organized by an underground website. School outcasts Rioka (Ishibashi Anna) and transfer student Yoshimura (Kirishima Rina) enter the world of a game run by an shady website on the invitation of their absent classmate Miki (Minami Yuki). Its objective is simple: a group of high school girls murder each other until one of them achieves seven kills.
Director
A survival action thriller written and directed by Oikawa Ataru, who has been a leading figure on the Japanese low-budget horror scene since his breakthrough work Tomie. Its blood-drenched visuals tell a story of high school girls engaging in a battle to the death as part of a game organized by an underground website. School outcasts Rioka (Ishibashi Anna) and transfer student Yoshimura (Kirishima Rina) enter the world of a game run by an shady website on the invitation of their absent classmate Miki (Minami Yuki). Its objective is simple: a group of high school girls murder each other until one of them achieves seven kills.
Writer
昭和58年、離婚した父親と一緒に人里離れた雛見沢へとやって来たレナは平穏な毎日を送っていた。彼女は最近東京から転校して来た圭一や、世話好きの魅音らとも仲良くやっていたが、実は両親の離婚のトラウマがあった。そのせいか父の新しい恋人にもなかなかなじめずにいた。<人気ゲームを基に、小説やコミックになるなど大ブームを巻き起こした『ひぐらしのなく頃に』シリーズの続編。原作の“罪滅し編”をメインに、両親の離婚をきっかけに疑心暗鬼に陥っていく少女の心の闇を描く。監督の及川中をはじめ、若手メインキャストの松山愛里、前田公輝、飛鳥凛、あいか、小野恵令奈らは前作より続投し、一回り成長した姿を見せる。分校の屋根の上で行われるアクションシーンに息をのむ。>
Director
昭和58年、離婚した父親と一緒に人里離れた雛見沢へとやって来たレナは平穏な毎日を送っていた。彼女は最近東京から転校して来た圭一や、世話好きの魅音らとも仲良くやっていたが、実は両親の離婚のトラウマがあった。そのせいか父の新しい恋人にもなかなかなじめずにいた。<人気ゲームを基に、小説やコミックになるなど大ブームを巻き起こした『ひぐらしのなく頃に』シリーズの続編。原作の“罪滅し編”をメインに、両親の離婚をきっかけに疑心暗鬼に陥っていく少女の心の闇を描く。監督の及川中をはじめ、若手メインキャストの松山愛里、前田公輝、飛鳥凛、あいか、小野恵令奈らは前作より続投し、一回り成長した姿を見せる。分校の屋根の上で行われるアクションシーンに息をのむ。>
Screenplay
Ten actresses live in a folk hotel to prepare musical performances. One of the famous actresses suddenly disappeared without a cause, although less one, but the musical or as usual, but until the end of the show, the missing was still not found, it became a case. A year later, the remaining nine women each received a mysterious letter.
Director
Ten actresses live in a folk hotel to prepare musical performances. One of the famous actresses suddenly disappeared without a cause, although less one, but the musical or as usual, but until the end of the show, the missing was still not found, it became a case. A year later, the remaining nine women each received a mysterious letter.
Writer
昭和58年初夏、圭一は東京から人口2000人の雛見沢村に引っ越して来る。彼は分校で委員長の魅音やレナら親切なクラスメートにも恵まれ、田舎での生活を満喫していた。しかし、夏祭りの晩に村の撮影に来ていたカメラマンが死亡するという事件が起き……。<空前の大ヒットを記録し、アニメやコミック、小説にもなった同名のPCゲームを及川中監督が実写化。原作の導入部である“鬼隠し編”を基に、難事件に巻き込まれる少年の苦難の日々をリアルに映し出す。数奇な運命をたどる主人公を前田公輝が熱演。共演者も飛鳥凛、松山愛里、あいか、小野恵令奈ら美少女たちが勢ぞろい。物語に散りばめられた、後に続く話の伏線やヒント探しも楽しめる。>
Director
昭和58年初夏、圭一は東京から人口2000人の雛見沢村に引っ越して来る。彼は分校で委員長の魅音やレナら親切なクラスメートにも恵まれ、田舎での生活を満喫していた。しかし、夏祭りの晩に村の撮影に来ていたカメラマンが死亡するという事件が起き……。<空前の大ヒットを記録し、アニメやコミック、小説にもなった同名のPCゲームを及川中監督が実写化。原作の導入部である“鬼隠し編”を基に、難事件に巻き込まれる少年の苦難の日々をリアルに映し出す。数奇な運命をたどる主人公を前田公輝が熱演。共演者も飛鳥凛、松山愛里、あいか、小野恵令奈ら美少女たちが勢ぞろい。物語に散りばめられた、後に続く話の伏線やヒント探しも楽しめる。>
A story about Sayoko Kano, a junior high school student, who is believed to be a descendent of an Indian goddess. Sayoko is a kind of femme fatale, who uses her supernatural power to control people, especially men. While in the original manga Sayoko is represented as a femme fatale always surrounded by men, the film will focus on the friendship between Sayoko and her friend Yuiko Asai, both now on their first year at university.
Writer
A story about Sayoko Kano, a junior high school student, who is believed to be a descendent of an Indian goddess. Sayoko is a kind of femme fatale, who uses her supernatural power to control people, especially men. While in the original manga Sayoko is represented as a femme fatale always surrounded by men, the film will focus on the friendship between Sayoko and her friend Yuiko Asai, both now on their first year at university.
Director
A story about Sayoko Kano, a junior high school student, who is believed to be a descendent of an Indian goddess. Sayoko is a kind of femme fatale, who uses her supernatural power to control people, especially men. While in the original manga Sayoko is represented as a femme fatale always surrounded by men, the film will focus on the friendship between Sayoko and her friend Yuiko Asai, both now on their first year at university.
Writer
While celebrating with her friends in her new cheaply rented apartment (with balcony and view of the sea) on the thirteenth floor of a building, the young Sayaka unexpectedly jumps off the balcony committing suicide. Her mother goes insane and her older sister, Mariko, decides to investigate the mysterious death of her sister. She finds that there have been many suicides of young women living in apartment 1303. She finds a book telling the tragic story of the Yukiyo and her mother, the first tenants of the apartment and uncovers the truth behind the suicides.
Director
While celebrating with her friends in her new cheaply rented apartment (with balcony and view of the sea) on the thirteenth floor of a building, the young Sayaka unexpectedly jumps off the balcony committing suicide. Her mother goes insane and her older sister, Mariko, decides to investigate the mysterious death of her sister. She finds that there have been many suicides of young women living in apartment 1303. She finds a book telling the tragic story of the Yukiyo and her mother, the first tenants of the apartment and uncovers the truth behind the suicides.
Screenplay
別荘で夏休みを過ごす西徳寺家の美人姉妹。そこで妹の香織が、別荘の修理業者の男と姉・久美との情事を目撃したことから、姉妹の間に亀裂が広がっていく。やがて業者を名乗る男たちの危険な正体が明らかになってゆく。
Director
別荘で夏休みを過ごす西徳寺家の美人姉妹。そこで妹の香織が、別荘の修理業者の男と姉・久美との情事を目撃したことから、姉妹の間に亀裂が広がっていく。やがて業者を名乗る男たちの危険な正体が明らかになってゆく。
Writer
左目下のホクロを除いた後に失踪した診療所所長・富樫の娘に瓜二つの少女を、女医・和江は深夜の山中で見かける。そして彼女を追いかけ、洋館にたどり着く。そこで和江は瀕死の少女・雪子を発見する。
Director
左目下のホクロを除いた後に失踪した診療所所長・富樫の娘に瓜二つの少女を、女医・和江は深夜の山中で見かける。そして彼女を追いかけ、洋館にたどり着く。そこで和江は瀕死の少女・雪子を発見する。
Director
転校生・川上富江の魔性に引き込まれたかのように、男子生徒は彼女の虜になってしまった。彼らの富江への愛はやがて殺意に変貌し、彼女の耳を鋭利な刃物で切り落としてしまう。しかし、その耳は生き物のように動き回る。
Screenplay
Sachiko Kokubu, the beautiful owner of a Tokyo design agency, finds her life disrupted when she receives paper scraps stitched together with piano wire with the message "I know you were meant to marry me." As further messages come she embarks on a nightmare investigation to uncover the identity of her tormentor.
Director
Sachiko Kokubu, the beautiful owner of a Tokyo design agency, finds her life disrupted when she receives paper scraps stitched together with piano wire with the message "I know you were meant to marry me." As further messages come she embarks on a nightmare investigation to uncover the identity of her tormentor.
Director
Set in a house in the suburbs, the film uses black humor to depict the horrors caused by a strange drainage pipe that drags people in.
Director
In the near future Japan's economy is in shambles and bet bowling is huge. Team Kingpin hopes the government will ban bet bowling so they can open a casino. The team full of beautiful girls, team allways, engages in a fierce battle to stop them.
Screenplay
老舗料亭の長女で高校生の里伽子は重いトラウマを抱えていた。誰にも打ち明けられず、親の前では“良い子”を演じ、夜遊びにふける毎日。妹・依里子はそんな彼女を憎んでいた。依里子は密かに想いを寄せる姉の親友・美樹が姉を好きなことが分かり、ますます嫉妬が募る。一方、大病院の息子・朋章は周囲から色メガネで見られ悪い噂が絶えない。そんな彼に後輩の高尾はいけないと思いつつ恋心を抱いてしまう。そして、高尾の同級生・篤志は高尾に恋していた。この複雑で微妙な関係が、里伽子と朋章の出会いによって崩れていくのだった…。
Director
老舗料亭の長女で高校生の里伽子は重いトラウマを抱えていた。誰にも打ち明けられず、親の前では“良い子”を演じ、夜遊びにふける毎日。妹・依里子はそんな彼女を憎んでいた。依里子は密かに想いを寄せる姉の親友・美樹が姉を好きなことが分かり、ますます嫉妬が募る。一方、大病院の息子・朋章は周囲から色メガネで見られ悪い噂が絶えない。そんな彼に後輩の高尾はいけないと思いつつ恋心を抱いてしまう。そして、高尾の同級生・篤志は高尾に恋していた。この複雑で微妙な関係が、里伽子と朋章の出会いによって崩れていくのだった…。
Writer
An action film depicting the friendship and betrayal of a group of bad girls. A yakuza movie with popular idols.
Director
An action film depicting the friendship and betrayal of a group of bad girls. A yakuza movie with popular idols.
Director
Hagakure Makoto, young and cute, is trying to find a regular job to help support her family. She has no training in the real world, and she will meet with several corporate evils. But she was trained as a samurai by her grandfather, which will be useful to battle the evils of the world, including a bad samurai girl who is protected by an impenetrable net armor - with a week spot, like Achilles' heel. Eventually, it will come the time Makoto must leave this world - passing her skills into another young and cute girl.
Writer
Japanese action film directed by Hiroshi Ando.
Writer
3年前の事故で記憶障害と不眠症を患い、精神科に通う少女・泉沢月子。神科医の細野は、彼女の記憶を催眠療法で探り、“トミエ”という名前を聞き出す。しかし月子にはその名前が誰なのか思い出せない。そして、月子の生活に突如として奇怪で恐ろしい出来事が起こりはじめる。そんなある日、警視庁の刑事が細野を訪てくる。彼は川上富江という女性について調べていた。
Director
3年前の事故で記憶障害と不眠症を患い、精神科に通う少女・泉沢月子。神科医の細野は、彼女の記憶を催眠療法で探り、“トミエ”という名前を聞き出す。しかし月子にはその名前が誰なのか思い出せない。そして、月子の生活に突如として奇怪で恐ろしい出来事が起こりはじめる。そんなある日、警視庁の刑事が細野を訪てくる。彼は川上富江という女性について調べていた。
Screenplay
Two mismatched policewomen are assigned to guard and observe a released prisoner who has connections with a women-only gang who are suspected of counterfeiting.
Director
A Shibuya-kei violence movie in which ferocious love runs fast. The director is Ataru Oikawa. Beasts that cut through the darkness. Prostitution, yak buying and selling, tear gas bullets and pistols are readily available, and team conflicts are unchecked. Such a city, Shibuya. The bloody struggle between the twin brothers Keita and Yuta, who manage the club "Phantom" and partition Shibuya, and the Ikebukuro team "Lucky's" was also intensifying. Eiji, the leader of "Lucky's", teams up with Tanabe of the yakuza organization Hanyukai to challenge the final battle. They stabbed Toru, one of Keita's team, and abducted and confined Mamoru, who was sending information about "Lucky's" to Keita. And the future of the final battle...
Screenplay
Yamato Tanaka, who attempted to murder his father in the past, used to work as a janitor in a theme park. Now unemployed, Yamato lives in a very humble apartment room. He lost his family by the crime he committed with the urge he himself couldn’t and even now can explain. He has nowhere to go, and becomes isolated in the big city. His continuous job search is unsuccessful, and one day he meets a young girl Kaoru who is passing out advertisement packaged with free tissue to the crowd at a train station. He aggressively gets involved with her. The two immediately feel the mutual isolation and desperation within themselves. These are youngsters with no purpose in their lives, symbolizing the Japanese society which passed the post-war economic peak period. Yamato and Kaoru go down the road of destruction, being sucked into the deep, dark ditch of society. Filling the screen images both stark and surreal, director Ataru Oikawa draws an unadulterated portrait of youth.
Director
Yamato Tanaka, who attempted to murder his father in the past, used to work as a janitor in a theme park. Now unemployed, Yamato lives in a very humble apartment room. He lost his family by the crime he committed with the urge he himself couldn’t and even now can explain. He has nowhere to go, and becomes isolated in the big city. His continuous job search is unsuccessful, and one day he meets a young girl Kaoru who is passing out advertisement packaged with free tissue to the crowd at a train station. He aggressively gets involved with her. The two immediately feel the mutual isolation and desperation within themselves. These are youngsters with no purpose in their lives, symbolizing the Japanese society which passed the post-war economic peak period. Yamato and Kaoru go down the road of destruction, being sucked into the deep, dark ditch of society. Filling the screen images both stark and surreal, director Ataru Oikawa draws an unadulterated portrait of youth.
Writer
Yamato Tanaka, who attempted to murder his father in the past, used to work as a janitor in a theme park. Now unemployed, Yamato lives in a very humble apartment room. He lost his family by the crime he committed with the urge he himself couldn’t and even now can explain. He has nowhere to go, and becomes isolated in the big city. His continuous job search is unsuccessful, and one day he meets a young girl Kaoru who is passing out advertisement packaged with free tissue to the crowd at a train station. He aggressively gets involved with her. The two immediately feel the mutual isolation and desperation within themselves. These are youngsters with no purpose in their lives, symbolizing the Japanese society which passed the post-war economic peak period. Yamato and Kaoru go down the road of destruction, being sucked into the deep, dark ditch of society. Filling the screen images both stark and surreal, director Ataru Oikawa draws an unadulterated portrait of youth.
Screenplay
It is a youth group of third-class university students struggling to get a job at a first-class company.
Screenplay
Three stories with horror and science fiction elements. 1st episode: "The Curse of Tutankhamen" (Tsutankâmen no noroï) by Kazuyuki Izutsu. With Naoto Takenaka. Two clans of Yakuza clash in a bar. 2nd episode: "They came back, tonight too" (Yatsura wa konya mo yattekita) by Kiyoshi Kurosawa. With Renji Ishibashi. A polar writer is pursued by two mysterious mountebanks. 3rd episode: "I want to come back to this day" (Ano hi ni kaeritai) by Banmei Takahashi. With Toshiyuki Nagashima. A couple who robbed a bank decides to separate to escape the police.
Writer
都会の高層マンションに住んでいた主婦がふとしたことからセールスマンの反感を買い恐怖に脅かされる姿を描く、スプラッター・ホラー。