Ataru Oikawa

A survival action thriller written and directed by Oikawa Ataru, who has been a leading figure on the Japanese low-budget horror scene since his breakthrough work Tomie. Its blood-drenched visuals tell a story of high school girls engaging in a battle to the death as part of a game organized by an underground website. School outcasts Rioka (Ishibashi Anna) and transfer student Yoshimura (Kirishima Rina) enter the world of a game run by an shady website on the invitation of their absent classmate Miki (Minami Yuki). Its objective is simple: a group of high school girls murder each other until one of them achieves seven kills.

A survival action thriller written and directed by Oikawa Ataru, who has been a leading figure on the Japanese low-budget horror scene since his breakthrough work Tomie. Its blood-drenched visuals tell a story of high school girls engaging in a battle to the death as part of a game organized by an underground website. School outcasts Rioka (Ishibashi Anna) and transfer student Yoshimura (Kirishima Rina) enter the world of a game run by an shady website on the invitation of their absent classmate Miki (Minami Yuki). Its objective is simple: a group of high school girls murder each other until one of them achieves seven kills.

Maebara Keiichi, a young teenager, has recently moved from the city to the rural village of Hinamizawa with his family. He is adjusting quite well to his new life, making friends at the small school, playing games, passing time in relative happiness, when suddenly a gruesome murder occurs. A mystery begins to unravel — tracing back to happenings five years ago. As Keiichi learns more about these strange events, he wonders if he will be able to face the truth behind all of this.

Maebara Keiichi, a young teenager, has recently moved from the city to the rural village of Hinamizawa with his family. He is adjusting quite well to his new life, making friends at the small school, playing games, passing time in relative happiness, when suddenly a gruesome murder occurs. A mystery begins to unravel — tracing back to happenings five years ago. As Keiichi learns more about these strange events, he wonders if he will be able to face the truth behind all of this.

Ten actresses live in a folk hotel to prepare musical performances. One of the famous actresses suddenly disappeared without a cause, although less one, but the musical or as usual, but until the end of the show, the missing was still not found, it became a case. A year later, the remaining nine women each received a mysterious letter.

Ten actresses live in a folk hotel to prepare musical performances. One of the famous actresses suddenly disappeared without a cause, although less one, but the musical or as usual, but until the end of the show, the missing was still not found, it became a case. A year later, the remaining nine women each received a mysterious letter.

쓰르라미 울적에 첫번째 에피소드 오니카쿠시편의 실사판

쓰르라미 울적에 첫번째 에피소드 오니카쿠시편의 실사판

A story about Sayoko Kano, a junior high school student, who is believed to be a descendent of an Indian goddess. Sayoko is a kind of femme fatale, who uses her supernatural power to control people, especially men. While in the original manga Sayoko is represented as a femme fatale always surrounded by men, the film will focus on the friendship between Sayoko and her friend Yuiko Asai, both now on their first year at university.

A story about Sayoko Kano, a junior high school student, who is believed to be a descendent of an Indian goddess. Sayoko is a kind of femme fatale, who uses her supernatural power to control people, especially men. While in the original manga Sayoko is represented as a femme fatale always surrounded by men, the film will focus on the friendship between Sayoko and her friend Yuiko Asai, both now on their first year at university.

A story about Sayoko Kano, a junior high school student, who is believed to be a descendent of an Indian goddess. Sayoko is a kind of femme fatale, who uses her supernatural power to control people, especially men. While in the original manga Sayoko is represented as a femme fatale always surrounded by men, the film will focus on the friendship between Sayoko and her friend Yuiko Asai, both now on their first year at university.

아파트 1303호에 이사 온 모든 여자들이 베란다에서 떨어져 자살하는 기이한 사건이 일어난다. 그곳에서 동생을 잃은 미도리가와는 동생의 방에서 생소한 물건들이 발견되자 동생의 죽음에 의문을 갖게 되고 한 형사에게 그 아파트에 얽힌 사연을 듣게 된다. 1303호에서 한 소녀가 학대를 견디다 못해 엄마를 찔러 죽이고 자신도 몸을 던져 자살한 것. 미도리가와는 1303호의 악령이 숨조여 오는 것도 모른 채 그 사건에 얽힌 책까지 읽으며 동생의 사인을 밝히려 드는데...

아파트 1303호에 이사 온 모든 여자들이 베란다에서 떨어져 자살하는 기이한 사건이 일어난다. 그곳에서 동생을 잃은 미도리가와는 동생의 방에서 생소한 물건들이 발견되자 동생의 죽음에 의문을 갖게 되고 한 형사에게 그 아파트에 얽힌 사연을 듣게 된다. 1303호에서 한 소녀가 학대를 견디다 못해 엄마를 찔러 죽이고 자신도 몸을 던져 자살한 것. 미도리가와는 1303호의 악령이 숨조여 오는 것도 모른 채 그 사건에 얽힌 책까지 읽으며 동생의 사인을 밝히려 드는데...

A young woman named Kazue runs over a naked girl on a mountain road. When she stops to help, the girl runs off into an old abandoned house in the middle of the woods.

A young woman named Kazue runs over a naked girl on a mountain road. When she stops to help, the girl runs off into an old abandoned house in the middle of the woods.

Within days after the mysterious new student Kawagami Tomie joins a high school classroom, all hell literally breaks loose. Simple in-fighting between boys and girls over Tomie's oppressive shadow soon gives way to mind-breaking violence, culminating in a grizzly dissection that ultimately leads to suicide, insanity, and even more violence.

Sachiko Kokubu, the beautiful owner of a Tokyo design agency, finds her life disrupted when she receives paper scraps stitched together with piano wire with the message "I know you were meant to marry me." As further messages come she embarks on a nightmare investigation to uncover the identity of her tormentor.

Sachiko Kokubu, the beautiful owner of a Tokyo design agency, finds her life disrupted when she receives paper scraps stitched together with piano wire with the message "I know you were meant to marry me." As further messages come she embarks on a nightmare investigation to uncover the identity of her tormentor.

Set in a house in the suburbs, the film uses black humor to depict the horrors caused by a strange drainage pipe that drags people in.

In the near future Japan's economy is in shambles and bet bowling is huge. Team Kingpin hopes the government will ban bet bowling so they can open a casino. The team full of beautiful girls, team allways, engages in a fierce battle to stop them.

LOVERS' KISS (ラヴァーズ・キス?) is a 2003 Japanese romance movie based on a manga by Akimi Yoshida. This is a youth movie of six teenagers (three boys and three girls) whom it is focused on, taking place in Kamakura.

LOVERS' KISS (ラヴァーズ・キス?) is a 2003 Japanese romance movie based on a manga by Akimi Yoshida. This is a youth movie of six teenagers (three boys and three girls) whom it is focused on, taking place in Kamakura.

An action film depicting the friendship and betrayal of a group of bad girls. A yakuza movie with popular idols.

An action film depicting the friendship and betrayal of a group of bad girls. A yakuza movie with popular idols.

Hagakure Makoto, young and cute, is trying to find a regular job to help support her family. She has no training in the real world, and she will meet with several corporate evils. But she was trained as a samurai by her grandfather, which will be useful to battle the evils of the world, including a bad samurai girl who is protected by an impenetrable net armor - with a week spot, like Achilles' heel. Eventually, it will come the time Makoto must leave this world - passing her skills into another young and cute girl.

Japanese action film directed by Hiroshi Ando.

이즈미사와 츠키코는 전문대에서 사진을 전공하며 카메라 맨을 꿈꾸는 평범한 학생들이다. 3년 전 당한 교통사고로 당시의 3개월 전후 기억을 잃은 츠키코는 정신과 치료를 받기 위해 병원을 다니고 있다. 사고의 후유증 때문인지 거의 매일 밤을 악몽에 시달리는 츠키코년 자신이 피범벅되어 있는 꿈을 꾸며 공포에 질린다. 정신과 의사 호소노 타츠코는 최면요법으로 츠키코의 증상을 찾으려 한다. 최면상태에서 츠키코는 타나베, 토미에라는 이름을 말하고 호소노는 그 두명의 이름과 츠키코의 기억상실 사이의 상관관계를 찾기 시작한다. 츠키코의 아랫 집인 201호실에 이사온 사내는 알수 없는 존재와 동거중이었다. 그 존재는 으스스한 공기를 내뿜는 둥근 물체 안에서 여성으로 급격히 성장하고 있었다. 201호에서 흘러나오는 노래를 듣게 된 츠키코는 이 노래 소리를 예전에도 들은 기억을 떠올리게 되는데...

이즈미사와 츠키코는 전문대에서 사진을 전공하며 카메라 맨을 꿈꾸는 평범한 학생들이다. 3년 전 당한 교통사고로 당시의 3개월 전후 기억을 잃은 츠키코는 정신과 치료를 받기 위해 병원을 다니고 있다. 사고의 후유증 때문인지 거의 매일 밤을 악몽에 시달리는 츠키코년 자신이 피범벅되어 있는 꿈을 꾸며 공포에 질린다. 정신과 의사 호소노 타츠코는 최면요법으로 츠키코의 증상을 찾으려 한다. 최면상태에서 츠키코는 타나베, 토미에라는 이름을 말하고 호소노는 그 두명의 이름과 츠키코의 기억상실 사이의 상관관계를 찾기 시작한다. 츠키코의 아랫 집인 201호실에 이사온 사내는 알수 없는 존재와 동거중이었다. 그 존재는 으스스한 공기를 내뿜는 둥근 물체 안에서 여성으로 급격히 성장하고 있었다. 201호에서 흘러나오는 노래를 듣게 된 츠키코는 이 노래 소리를 예전에도 들은 기억을 떠올리게 되는데...

Two mismatched policewomen are assigned to guard and observe a released prisoner who has connections with a women-only gang who are suspected of counterfeiting.

A Shibuya-kei violence movie in which ferocious love runs fast. The director is Ataru Oikawa. Beasts that cut through the darkness. Prostitution, yak buying and selling, tear gas bullets and pistols are readily available, and team conflicts are unchecked. Such a city, Shibuya. The bloody struggle between the twin brothers Keita and Yuta, who manage the club "Phantom" and partition Shibuya, and the Ikebukuro team "Lucky's" was also intensifying. Eiji, the leader of "Lucky's", teams up with Tanabe of the yakuza organization Hanyukai to challenge the final battle. They stabbed Toru, one of Keita's team, and abducted and confined Mamoru, who was sending information about "Lucky's" to Keita. And the future of the final battle...

Yamato Tanaka, who attempted to murder his father in the past, used to work as a janitor in a theme park. Now unemployed, Yamato lives in a very humble apartment room. He lost his family by the crime he committed with the urge he himself couldn’t and even now can explain. He has nowhere to go, and becomes isolated in the big city. His continuous job search is unsuccessful, and one day he meets a young girl Kaoru who is passing out advertisement packaged with free tissue to the crowd at a train station. He aggressively gets involved with her. The two immediately feel the mutual isolation and desperation within themselves. These are youngsters with no purpose in their lives, symbolizing the Japanese society which passed the post-war economic peak period. Yamato and Kaoru go down the road of destruction, being sucked into the deep, dark ditch of society. Filling the screen images both stark and surreal, director Ataru Oikawa draws an unadulterated portrait of youth.

Yamato Tanaka, who attempted to murder his father in the past, used to work as a janitor in a theme park. Now unemployed, Yamato lives in a very humble apartment room. He lost his family by the crime he committed with the urge he himself couldn’t and even now can explain. He has nowhere to go, and becomes isolated in the big city. His continuous job search is unsuccessful, and one day he meets a young girl Kaoru who is passing out advertisement packaged with free tissue to the crowd at a train station. He aggressively gets involved with her. The two immediately feel the mutual isolation and desperation within themselves. These are youngsters with no purpose in their lives, symbolizing the Japanese society which passed the post-war economic peak period. Yamato and Kaoru go down the road of destruction, being sucked into the deep, dark ditch of society. Filling the screen images both stark and surreal, director Ataru Oikawa draws an unadulterated portrait of youth.

Yamato Tanaka, who attempted to murder his father in the past, used to work as a janitor in a theme park. Now unemployed, Yamato lives in a very humble apartment room. He lost his family by the crime he committed with the urge he himself couldn’t and even now can explain. He has nowhere to go, and becomes isolated in the big city. His continuous job search is unsuccessful, and one day he meets a young girl Kaoru who is passing out advertisement packaged with free tissue to the crowd at a train station. He aggressively gets involved with her. The two immediately feel the mutual isolation and desperation within themselves. These are youngsters with no purpose in their lives, symbolizing the Japanese society which passed the post-war economic peak period. Yamato and Kaoru go down the road of destruction, being sucked into the deep, dark ditch of society. Filling the screen images both stark and surreal, director Ataru Oikawa draws an unadulterated portrait of youth.

It is a youth group of third-class university students struggling to get a job at a first-class company.

Three stories with horror and science fiction elements. 1st episode: "The Curse of Tutankhamen" (Tsutankâmen no noroï) by Kazuyuki Izutsu. With Naoto Takenaka. Two clans of Yakuza clash in a bar. 2nd episode: "They came back, tonight too" (Yatsura wa konya mo yattekita) by Kiyoshi Kurosawa. With Renji Ishibashi. A polar writer is pursued by two mysterious mountebanks. 3rd episode: "I want to come back to this day" (Ano hi ni kaeritai) by Banmei Takahashi. With Toshiyuki Nagashima. A couple who robbed a bank decides to separate to escape the police.

A housewife, Yasuko lives in an urban high-rise apartment with her husband Satoru and her son Takuto. Annoyed by spam calls and door-to-door salesmen, Yasuko slams the door on a salesman’s finger when he tries to squeeze a flyer through chained door. He leaves but the next day, her nightmare starts.