Kurodo Mori

While Kazuo Tanaka eagerly practices his greetings for the big wedding the next day, his first as a matchmaker, his second daughter Hitomi prepares for her travels with her secret lover. The eldest daughter Reiko, nine months pregnant, has left her cheating husband to enter a frenzied Tanaka household. On the wedding day, Kazuo learns his father has passed away. Afraid of ruining the wedding, he asks Reiko and Hitomi to deal with the crisis. Rushing home after the ceremony, Kazuo and Kanako are faced with various problems.

A Japanese boy in love with a girl of Korean origin must battle the prejudices of those around him in order to sustain the relationship.

吉村茂と鈴木信二は幼い頃からの親友同士。高校3年の夏、そろそろ卒業後の進路を決める時期。茂はひとつ年下の菊地春代に、真二は中学で一緒だった寺島瞳に片想いしていた。ある日、茂は瞳に真二のことを話すが、逆に茂のことが好きだったと打ち明けられ…。

On the night of August 19, 1980, a bus was set on fire by the vagrant Hirofumi Maruyama at the Shinjuku West Exit Bus Terminal. In the burning flames, Mitsuko, who was exhausted by her affair, suddenly thought of suicide. As a result, she escaped too late from the bus and suffered a serious injury. From there, she was hospitalized for a long time. As she gradually recovered, the wife of her affair partner, Soroku Sugihara, died of cancer. Soroku proposed to Mitsuko again, and they lived together. Due to Soroku's mounting debt, they decided to flee to Tojinbo. With the desperate persuasion of her acquaintances, Mitsuko regained her desire to "live again."

A film about the substantial population of Koreans living in Japan, and the love affair between Kayako, a Japanese girl, and Im, a Korean.

Dungaree-wearing teenage tomboy Kaori lives next door to the brothers Ko and Yasu. One day as Kaori is walking to school, a US jet crashes near the boys' house. Based on the real life 1977 Yokohama F-4 crash incident.

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

10-Feet Movement anti-nuclear documentary film

「砂の器」の名コンビである松本清張(原作・脚色)と野村芳太郎監督のコンビによる、推理サスペンス・ドラマ。桃井かおりと岩下志麻を主役に迎え、自動車事故で死亡した富山の財閥と、その夫人に着せられた保険金殺人の疑惑を辣腕女弁護士が解明してみせる。富豪の後妻に桃井かおりが扮し、その独特のエロキューションや、悪女と呼ばれる女のふてぶてしさ、可愛らしさを見事に表現。対する女弁護士には岩下志麻が扮し、終始毅然とした“理性の女”ぶりを発揮。そのクールな表情は、時としてホラー映画さながらの冷徹さを見せるほど。 この“理と情”のシンボルとも言えるふたりの女を、野村監督の演出は見事な対比で描いて見せ、事件の概要をも彼女らの言動を通して観客がすんなり理解出来るあたりの手腕はさすが。また桃井の後妻は過去に関する描写にウエイトを置いている一方、岩下の弁護士は離婚歴があり、夫側にいる娘とのやりとりを通してしか、「なぜ、彼女がそういう女になったか?」について言及していない、この描きわけが面白い。観客としては当然、桃井の悪女のほうに感情移入しがちなのだが、その彼女の窮状を救うのが、岩下の冷静な判断力と推理であるあたりの皮肉とカタルシスが、爽快な後味を与えている。ただし判決確定後、ふたりの女が交わす本音のやりとりは、両女優の演技合戦という意味も含めて、世の男性諸氏を恐怖のどん底にたたき落とすほどの壮絶さ。ご注意を。

Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends.

赤い髪にそばかすの散った顔の少女アンは、カナダ本土の孤児院からプリンスエドワード島へとやって来る。養女としてもらわれてきた彼女は、新しい家族への期待で胸を膨らませていた。だが、農村で暮らす年老いた兄妹が望んでいたのは、農作業を手伝ってくれる男の子だったということがわかりぼうぜんとする。