Manuel Dacosse

Manuel Dacosse

出生 : 1977-01-01, Uccle, Bruxelles, Belgium

略歴

Manuel "Manu" Dacosse is a Belgian cinematographer. He is known for his work with directors Hélène Cattet and Bruno Forzani on the films Amer (2009), The Strange Colour of Your Body's Tears (2013), and Let the Corpses Tan (2017), the last two of which earned him the Magritte Award for Best Cinematography. He collaborated with director François Ozon on L'Amant double (2017) and By the Grace of God (2019); the latter received five nominations at the 25th Lumières Awards, including Best Cinematography for Dacosse. His film credits also include Torpedo (2012), Mobile Home (2012), Tasher Desh (2012), Alleluia (2014), The Lady in the Car with Glasses and a Gun (2015), Evolution (2015), Axolotl Overkill (2017), Adoration (2019), and The Silencing (2020). Source: Article "Manuel Dacosse" from Wikipedia in english, licensed under CC-BY-SA 3.0.

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Manuel Dacosse

参加作品

The Crime Is Mine
Director of Photography
In the 1930s in Paris, a young and pretty actress, penniless and without talent, is accused of the murder of a famous producer. Helped by her best friend, a young unemployed lawyer, she is acquitted for self-defence.
You Will Not Have My Hate
Director of Photography
The story of Antoine Leiris, who lost his beloved wife Hélène in the terrorist attack on the Paris "Bataclan". In a moving Facebook post, he counters the assassins' hatred with his love for his almost three-year-old son. And yet he seems to lose his footing in his grief.
Peter von Kant
Director of Photography
Peter von Kant, a successful, famous director, lives with his assistant Karl, whom he likes to mistreat and humiliate. Through the great actress Sidonie, he meets and falls in love with Amir, a handsome young man of modest means. He offers to share his apartment and help Amir break into the world of cinema. Several months later, Amir becomes a star. But as soon as he acquires fame, he breaks up with Peter, leaving him alone to face himself.
Inexorable
Cinematography
Desperately seeking inspiration for the follow-up novel to his bestseller "Inexorable", Marcel Bellmer moves in his wife's old family mansion with his family.
Simone, The Journey of the Century
Cinematography
Simone Veil's life story through the pivotal events of Twentieth Century. Her childhood, her political battles, her tragedies. An intimate and epic portrait of an extraordinary woman who eminently challenged and transformed her era defending a humanist message still keenly relevant today.
LYNX
Director of Photography
Tony and Marie are passionate about Bangers, a trashy variant of the stock car. Following a tragedy, their couple falls appart. Tony hung up the races as Marie vent her anger onto the speedway in violent crashes. When problemes resurface, they have no choice but to resolve their dispute where their community has always solved them : on the speedway.
サイレンシング
Director of Photography
A reformed hunter becomes involved in a deadly game of cat and mouse when he and the local sheriff set out to track a vicious killer who may have kidnapped his daughter years ago.
Adoration
Director of Photography
Paul lives with his mother in the private clinic of doctor Loisel, deeply hidden in the woods. Paul likes to roam the forest and observe nature. One day Gloria, a schizophrenic teenager of around fifteen years old, arrives, and Paul falls in love immediately.
Three Days and a Life
Director of Photography
Christmas 1999, in a peaceful little village in the Ardennes. The life of a young boy named Antoine will soon be devastated by three tragic events : the death of a dog, the vanishing of a child, and a big ravaging storm.
グレース・オブ・ゴッド 告発の時
Director of Photography
妻子たちとともにリヨンで暮らすアレクサンドル。かつてまだ幼い自分に性的虐待を働いたプレナ神父が、再びこの地に戻って来たことを知った彼は、新たな犠牲者が出ないよう、神父のことを告発することを決意。教会に連絡を取り、神父の旧悪を洗いざらいぶちまけたアレクサンドルだったが、その後、事態は一向に改善されぬまま月日が過ぎていく。そんな中、やはり神父の性的虐待の被害に遭った人々の輪が、次第に広がるようになる。
The Emperor of Paris
Director of Photography
Paris, France, early 19th century. The legendary convict François Vidocq lives in disguise trying to escape from a tragic past that torments him. When, after an unfortunate event, he crosses paths with the police chief, he makes a bold decision that will turn the ruthless mastermind of the Parisian underworld against him.
Let the Corpses Tan
Director of Photography
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
Axolotl Overkill
Director of Photography
Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.
2重螺旋の恋人
Director of Photography
Chloé, a fragile young woman, falls in love with her psychoanalyst, Paul. A few months later she moves in with him, but soon discovers that her lover is concealing a part of his identity.
The Confession
Director of Photography
Under the German occupation, in a small French town, the arrival of a new priest arouses the interest of all women... Barny, a young communist and atheist woman, can not however be more indifferent. Driven by curiosity, the young skeptic went to the church in order to challenge this.
ロマン・デュリスの偶然の殺し屋
Director of Photography
An unemployed factory worker takes a job as a hit man to make ends meet.
エヴォリューション
Director of Photography
住民は少年と女性だけの島で、10歳のニコラ(マックス・ブレバン)は、母親と2人で生活している。全ての少年が不可思議な医療を施されていることなど、島での日常に違和感を覚えるようになった彼は夜中に家を出て行く母親の後をつける。海辺に向かった母親が、ほかの女性たちと始めたある行為を目にするニコラ。それを機に、彼は思いも寄らなかったおぞましい事態にのみ込まれ……。
The Lady in the Car with Glasses and a Gun
Director of Photography
She’s the most beautiful, most short-sighted, most sentimental, most perplexing, most obstinate, most untrustworthy and most troubling of heroines. The lady in the car has never seen the sea. On the run from the police, she keeps telling herself that she’s not crazy… Only...
Alleluia
Director of Photography
Michel, a murderous womanizer, meets introverted Gloria online and treats her to a whirlwind one-night-stand. Offering herself as an accomplice in his seductive crimes, the unhinged lovers embark on a deadly odyssey amplified by wild sex, unbridled jealousy, and passionate forays into the dark arts. This smart and gory shocker breathes new life into the lovesick horror genre to serve up a chilling tale of white-hot desperation and terrifying devotion.
Nectar
Director of Photography
A round chamber in a park, where five women perform a ritual they know well. The queen gives her nectar. Yet a new cycle is already under way.
The Land of Cards
Director of Photography
A royal prince arrives on an island of fascist rule and inspires a rebellion among its women in this hallucinogenic adaptation of a classic play.
The Strange Color of Your Body's Tears
Director of Photography
A woman vanishes. Her husband inquires into the strange circumstances of her disappearance. Did she leave him? Is she dead? As he goes along searching, he plunges into a world of nightmare and violence...
Electric Indigo
Director of Photography
Indigo, a girl with a rather unusual route, mentally recalls her life from her birth till the event which led her to emancipate. She grew up in a family with two heterosexual fathers, Rubén, the Spaniard, and Tony, the American, united in the bonds of a non-carnal marriage, who had decided to raise their daughter together, born to a surrogate mother. But when she decides to get back Indigo, things get more complicated...
Mobile Home
Director of Photography
After having broken up with his girlfriend and left his job, Simon has come back to his small hometown in the countryside, where he meets up again with his old friend Julien. The two thirty-year-old, unemployed and idle men decide to reinvest in an old dream from their teenage years: hitting the road for an adventurous journey. They buy a huge motor-home, but the trip is delayed by various troubles, and they decide to start their journey right where they are. Through this first motionless stage of their trip, Simon and Julien are confronted with themselves and what they wanted to run away from.
Torpédo
Director of Photography
Amer
Director of Photography
Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty, she discovers the power of decay and sexuality. Finally, she wrestles with loss and loneliness when she returns to her parental home, now derelict.
Santos Palace
Director of Photography
Santos Palace is a coffee shop in Belgium. There, a waitress serves a strange client. Their eyes meet, minutes pass and we seem to witness a love story that hasn’t began or may have already started, with its potential jealousies and passions, or which may never happen at all; another type of romance. The feeling of seeing or being seen, the rhythmical editing, the use of cinemascope to make objects and spaces appear as abstract forms, the predominance of detailed shots: these are all obsessions, forms and audiovisual ideas that explode in this surprising film.
The Strange Portrait of the Lady in Yellow
Director of Photography
A woman takes a shower when she suddenly hears something. What is causing the sound and what is it that we see?
The End of Our Love
Director of Photography
Pieces of memories restitute what remains from a lost love.
Yellow Room
Director of Photography
The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.
Vincent Must Die
Director of Photography
It follows Vincent who finds himself under attack for no apparent reason overnight. When the phenomenon intensifies, he must run and change his way of life completely.