Tom Erhart

Lazarus Fell, a former naval intelligence officer trained in black ops and tasked with tracking down the most wanted Terrorist in the world, has gone rogue, realizing his mission has been inexplicably compromised by his own chain of command. As a result, Lazarus has faked his own death, forsaken his life, his family and all that matters to him in the world, to continue his solitary pursuit. But he has personal motivations as well, believing his father, Solomon Fell, Chief of Operations for the Office of Naval Intelligence, was killed in the attacks of 9/11 – the event masterminded by the selfsame Terrorist.

シカゴ郊外の刑務所（ジョリエット刑務所）を出所したジョリエット・ジェイクと、彼を迎えに来た弟のエルウッドは、兄弟を育ててくれた孤児院に出所の挨拶に行くが、そこで、孤児院が5000ドルの税金を払えないため立ち退きの瀬戸際にあることを知る。孤児院の危機を救うため援助を申し出る二人だが、犯罪で得た汚れた金は要らないと逆に院長に追い払われてしまう。

In the silent film era, attorney Leo Harrigan and gunslinger Buck Greenway are hired to stop an illegal film production. However, they soon team up with the filmmakers and become important players in the show business industry. Leo learns he has a talent for directing, and Buck's cowboy persona quickly earns him leading-man status — but both men fall for beautiful starlet Kathleen Cooke, leading to a heated personal rivalry.

A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him.

Enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city and has to search for her place in the scheme of things.

Earthlings chafe at the peace established by a benevolent alien race and set about to rebel.

GOLDSTEIN, the feature film debut of talented director Philip Kaufman (The Right Stuff, The Unbearable Lightness of Being, Quills), is an early example of American independent filmmaking from the early 1960s. A fable about an old man with an odd effect on those he encounters, the film is a funny, warm-hearted postcard from an important moment in American cinema.GOLDSTEIN, starring veteran character actor Lou Gilbert (Viva Zapata!, The Great White Hope), shared the Prix de la Nouvelle Critique at the 1964 Cannes Film Festival with Bertolucci’s Before the Revolution. Cinema deity Jean Renoir called the film "the best American film I have seen in 20 years."

In a typical traveling circus, all the workers have problems over their heads; A puppeteer named Magnus controls his troupe like marionettes until a good clown arrives on the scene to help relieve them of their burdens.