ALMA AND OSKAR explores the passionate and tumultuous three-year relationship between the Grand Dame of Viennese society Alma Mahler (1879-1964) and the Austrian artist and enfant terrible Oskar Kokoschka (1886-1980). In the early 1900s, Kokoschka was an up-and-coming painter, influenced by the work of Gustav Klimt yet with his own distinctive expressionist style.
Austria in the last years of the monarchy: Wilhelm Kasda, Lieutenant of the Infantry, lives the life of a young officer. These include small, irrelevant affairs like those with Steffi. Steffi is a simple young woman. Kasda does not realize that her devotion is real love. After a night at the hotel, Kasda gives her a bill and disappears. A few years later, in June 1914, Kasda was visited by a former comrade, Lieutenant von Bogner. He had to resign years ago for gambling debts, is now married, works as a cashier in an office and has embezzled money.
Joy can not accept the fact that her career as a model is over at 24. The star photographer Tom Kurz shows no interest in her. Joy meets the broke and unemployed Andrea.
In a small port town at the end of the 19th century children are disappearing. A mysterious man in black who stalks the town may be Death itself. And nine-year-old Laurin is suffering terrifying dreams and hallucinations of a man carrying a sack and frightened children calling for help from behind closed windows.
In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love.
A young woman who works in a bookstore has been terrified by nightmares about having committed suicide in a past lifetime, combined with a sense of déjà vu regarding a specific apartment building. When she meets a young man who works in an optical company, whether she knows it or not, she is that much closer to the truth about her visions.
