ALMA AND OSKAR explores the passionate and tumultuous three-year relationship between the Grand Dame of Viennese society Alma Mahler (1879-1964) and the Austrian artist and enfant terrible Oskar Kokoschka (1886-1980). In the early 1900s, Kokoschka was an up-and-coming painter, influenced by the work of Gustav Klimt yet with his own distinctive expressionist style.
A Alemanha invade a Polônia em 1º de setembro de 1939 e isto marca o início da 2ª Guerra Mundial. Em menos de um mês a Polônia se rende e logo surge uma lista crescente de proibições e regras, que levaram ao virtual aprisionamento de meio milhão de judeus-poloneses em uma parte velha de Varsóvia, que ficou conhecido como o "Gueto de Varsóvia". O lugar logo se mostrou inadequado para alojar tantas pessoas. Além disto a comida era muito escassa, pois os nazistas reservaram para si 2617 calorias por dia, os poloneses tinham direito a 699 e os judeus apenas 184. A luta diária não era só contra a fome, mas também contra as doenças. Esta situação se agrava em 1942, com as "deportações diárias para o leste", que eram trens levando por dia seis mil judeus para os campos de concentração, onde eram executados em massa. Vendo que suas mortes eram apenas um questão de tempo, os judeus, liderados por Moredecai Anielewicz , fizeram a única coisa que os nazistas nunca esperaram: revidaram.
Austria in the last years of the monarchy: Wilhelm Kasda, Lieutenant of the Infantry, lives the life of a young officer. These include small, irrelevant affairs like those with Steffi. Steffi is a simple young woman. Kasda does not realize that her devotion is real love. After a night at the hotel, Kasda gives her a bill and disappears. A few years later, in June 1914, Kasda was visited by a former comrade, Lieutenant von Bogner. He had to resign years ago for gambling debts, is now married, works as a cashier in an office and has embezzled money.
Joy can not accept the fact that her career as a model is over at 24. The star photographer Tom Kurz shows no interest in her. Joy meets the broke and unemployed Andrea.
In a small port town at the end of the 19th century children are disappearing. A mysterious man in black who stalks the town may be Death itself. And nine-year-old Laurin is suffering terrifying dreams and hallucinations of a man carrying a sack and frightened children calling for help from behind closed windows.
In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love.
A young woman who works in a bookstore has been terrified by nightmares about having committed suicide in a past lifetime, combined with a sense of déjà vu regarding a specific apartment building. When she meets a young man who works in an optical company, whether she knows it or not, she is that much closer to the truth about her visions.