Teresa Calo

Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. Part 3 in the Baztan Trilogy.

Bilbao, Basque Country, 2001: a ruthless terrorist attack shatters the family of police officer Carlos Martínez. Barcelona, 2013: Carlos leaves Mariusz, a Polish immigrant, in charge of his daughter and, offering vague excuses, returns to the Basque Country and rents a house in Lekeitio, a small village by the sea.

Finished the Spanish Civil War in April 1939, in November 1940, while Spain is being crushed by the ruthless boot of dictator Franco, Pepita travels from rural Huelva to Madrid to be near her sister Hortensia, who is seven months pregnant and imprisoned, haunted by the shadow of a death sentence.

Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.

Irene, a former member of the terrorist gang ETA recently released from prison in Catalonia, recalls her past during her return trip to the Basque Country.

Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.

Featuring plenty of two-fisted action with romantic and political overtones, this intelligent thriller from Spanish director Daniel Calparsoro is set in the Basque region of northernmost Spain and centers on the clash between two Basque terrorists whose relationship becomes strained when the female starts refusing to kill their enemies. Unfortunately, for someone like her, leaving terrorism can be as dangerous as remaining in the fray.

One day, Pedro Sansinenea left family, friends and country, an environment that drowned him. Twenty years later he returns to the Basque Country for several reasons, where he finds old hatreds, new conflicts and even a dramatic love story.

Tonight people will protect their doors and windows with eguzkilore sunflowers. Tonight Urtzi will roam the streets looking for young children to whisk away. Tonight, in the only bar that refuses to close, a woman stranger will knock on the door asking to come in.