Abuela Inés
Amaia investiga rituais macabros e a morte de vários bebês enquanto as pessoas ao seu redor ficam em perigo. Parte 3 da Trilogia Baztán.
Carmela
Isabel Aymar
Writer
Mother-in-law
Bilbao, Basque Country, 2001: a ruthless terrorist attack shatters the family of police officer Carlos Martínez. Barcelona, 2013: Carlos leaves Mariusz, a Polish immigrant, in charge of his daughter and, offering vague excuses, returns to the Basque Country and rents a house in Lekeitio, a small village by the sea.
Doña Celia
María León interpreta a Pepita, uma jovem cordobesa de origem rural, que vai a Madrid no pós guerra para estar perto de sua irmã Hortensia (Inma Cuesta) que está grávida e na prisão. Pepita conhece Paulino (Marc Clotet), um valenciano de família burguesa, que luta junto a seu cunhado na guerra de Madrid. Apesar da dificuldade de sua relação, se apaixonam. Hortensia é julgada e condenada a morte. A execução será feita somente após o parto. Pepita tenta por todos os meios e em todas as instâncias que cancelem a execução. Vai todos os dias a prisão com o objetivo de que lhe entreguem o futuro filho de Hortensia, suplicando que não o entreguem para adoção, ou o internem num orfanato.
Sor Angeles
Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.
Antonia
Irene, a former member of the terrorist gang ETA recently released from prison in Catalonia, recalls her past during her return trip to the Basque Country.
Joan Martin's mother
Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.
Julia
Mujer en chalet
Featuring plenty of two-fisted action with romantic and political overtones, this intelligent thriller from Spanish director Daniel Calparsoro is set in the Basque region of northernmost Spain and centers on the clash between two Basque terrorists whose relationship becomes strained when the female starts refusing to kill their enemies. Unfortunately, for someone like her, leaving terrorism can be as dangerous as remaining in the fray.
One day, Pedro Sansinenea left family, friends and country, an environment that drowned him. Twenty years later he returns to the Basque Country for several reasons, where he finds old hatreds, new conflicts and even a dramatic love story.
Amona
Tonight people will protect their doors and windows with eguzkilore sunflowers. Tonight Urtzi will roam the streets looking for young children to whisk away. Tonight, in the only bar that refuses to close, a woman stranger will knock on the door asking to come in.
