Dariusz Jabłoński

A story about two sisters - Małgorzata, who is single by choice, and her younger sister, Łucja, a mother of two and an assistant in Małgorzata's law firm. The women embark on their first first trip in many years. It quickly turns out that one of them is terminally ill and her destination is Switzerland, where euthanasia is possible.

Ukraine, 1990s. Young Vova, cruel and tenacious, struggles to find his place among the ruthless members of the underworld in a city where crime and corruption reign.

Ten figures walk around in a circle. All they have is a number. The “Great Zero” monitors them. Based on a dystopian parable by Oleg Sentsov, this film was created between Kyiv and the Siberian penal colony where Sentsov spent five years as a political prisoner.

In the rural Ukraine, in a ghostly world where fantasy tears the veil of reality, life fiercely fights death every day and old values and vengeance reign over people's souls, Vitka, an imaginative and rebellious little girl, is the fascinated witness to the crazy love that Larysa, her teenage cousin, feels for Scar, a young criminal.

Dovlatov charts six days in the life of a brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky, while watching his artist friends got crushed by the iron-willed state machinery.

August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...

An internationally respected poet announces she is going to kill herself and needs an heir and executor. Young writers drive up the mountain to compete for the position and are challenged intellectually, emotionally, and erotically.

Russia 2017. The world could be on the verge of a great war. People are anxious that things could fall apart. Evolving around an unfinished building, a diverse group of outsiders struggle to find their place in this rapidly changing society, making up the mosaic of existence that is life itself…

New husband Adam reluctantly takes a job with state security in a totalitarian country, thus becoming a secret police agent. This "contract with the devil" helps secure a flat for the happy couple, as well as a prosperous future. However, he soon finds out that he too is under surveillance.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

In 1987, colour slides were found in a second hand book store in Vienna which turned out to be a collections of photographs taken in the Lodz ghetto by the Nazis' chief accountant. Walter Genewein boosted productivity in the ghetto while keeping costs down, a policy which led to the Lodz ghetto surviving much longer than any other in Poland. He recorded what he considered to be the subhuman aspect of the Jewish workers and he was concerned only with the technical quality of his photos. Director Dariusz Jabłoński's prize-winning film uses the photographs in a different way. He recreates for us the suffering of inmates, giving a compassionate picture of that it was like to be trapped in the ghetto. (Storyville)

As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.

This Polish historical drama film traces the fascinating saga of a wealthy, princely Polish dynasty in years 1900-1935.