Saguenail

出生 : 1955-05-07, Paris, France

参加作品

Cineclube
Director
Cineclube
Lighting Design
Cineclube
Editor
History with no capital letter
Director
Portrait of a time and a country through the plotless story of an unassuming couple, questioning seeming antagonisms that conceal mysterious kinships, and highlighting an intrinsic contradiction of cinema: while fabricating images, film language creates objects that are deeply different from the original models
Decrescente
Director
We're at war. Every day, bombs explode. Everywhere. The terrorist attack is unstoppable. The enemy is invisible. And yet as weapons they are alike. There are common interests. And the common denominator is financial. The alliance game is constantly traded and modified on the world chessboard. The shares do not follow the course of the shares on the Stock Exchange. There are victims but the damages are all collateral. It is necessary to reconstruct a geography as a History is rewritten. And I think every window is a mirror, every image a reflection. Eight symbolic characters that represent metaphorically some of the forces that dominate the contemporary world: USA, Russia, Europe, Third World; Major sectors: Armament, Energy Resources, Finance, Bureaucracy; Ideological Oppositions: Traditionalist Past, Youth Revolted, Cynical Opportunism, Conformist Disenchantment - playing a game of verbal chess for a moment may decide the near future.
Acentuado Arrefecimento Nocturno
Director
Acentuado Arrefecimento Nocturno
Editor
A Menina Dos Olhos
Writer
A documentary view of the practices of popular culture in the most jubilant of the local pagan festivities.
Ateliers Ângelo
Editor
Ateliers Ângelo films the artist's Ângelo de Sousa workspaces shortly after his death. Its absence is now an immense presence and impossible to represent.
Ateliers Ângelo
Director
Ateliers Ângelo films the artist's Ângelo de Sousa workspaces shortly after his death. Its absence is now an immense presence and impossible to represent.
Sem Cura - à saúde de Manoel de Oliveira
Director
Mau Dia
Editor
From Jacques Prévert's poem “Petit déjeuner du matin”, Mau Dia experiences a dilation of the time in which the banality hides the lived drama. All elements are decomposed and then rebuilt - painted walls, orchestrated rain, spoiled actions, depicted or sung…
Mau Dia
Director
From Jacques Prévert's poem “Petit déjeuner du matin”, Mau Dia experiences a dilation of the time in which the banality hides the lived drama. All elements are decomposed and then rebuilt - painted walls, orchestrated rain, spoiled actions, depicted or sung…
Mau Dia
Writer
From Jacques Prévert's poem “Petit déjeuner du matin”, Mau Dia experiences a dilation of the time in which the banality hides the lived drama. All elements are decomposed and then rebuilt - painted walls, orchestrated rain, spoiled actions, depicted or sung…
A Bagagem
Director
On leaving university, what do students do with their acquired baggage? Is it for them to find a job that meets their expectations? And how do they see the university once the study cycle they have completed there?
Meu Deus
Sound
An altarpiece and a portrait, whose composition obeys the digressions and ramblings of a handful of people, around their intimate relationship with God.
Meu Deus
Editor
An altarpiece and a portrait, whose composition obeys the digressions and ramblings of a handful of people, around their intimate relationship with God.
Meu Deus
Director of Photography
An altarpiece and a portrait, whose composition obeys the digressions and ramblings of a handful of people, around their intimate relationship with God.
Terra de Cegos
Director
What characterizes the spaces, differentiating the fields of the cities, the suburbs of the centers is, in large part, the speed of their modification. The circulation experience will have allowed us to compare the looks of foreign artists with the looks of local children, to measure resistance and change capacities.
A Imitação
Editor
An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?
A Imitação
Writer
An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?
A Imitação
Director
An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?
Antes de amanhã
Director
Dentro
Director
Porto 2001 project, made in the prison of Paços de Ferreira. Nuno Cardoso, the play director, develops this work with the prisoners during the time period of one year. Documentation of the process: conversations with the prisoners in the context of the process of artistic creation and the theater project. Interviews and testimonials with various people who cross their experiences, their view of life and their life behind bars, with the development of the play.
River of Gold
Photographer
Carolina, an aging local grande dame who works at a crossing point on the titular river, marries another late-in-life character, the dredging-boat operator Antonio. Not long after their union, she becomes intensely jealous of Antonio's fondness for their winsome goddaughter, Joana, and insinuates herself into a relationship brewing between Joana and a mystical gypsy gold salesman. Soon, tempers are flaring, mystical secrets are being revealed and death is hovering over the central characters.
Europa Parte Nenhuma
Director
Má Sina
Screenplay
In an empty theatre, a woman is watching an American film - "Ma's Sin" - which tells the weird revenge story of a middle-aged wife, driven mad by jealousy and a deep feer of dying. During the screening, the viewer's fantasies embodied in male characters harass her. Thus she will live the double adventure of the projected motion picture and of her own mental film. But as the lights turn on, she leaves the theatre, apparently unaffected.
Má Sina
Director
In an empty theatre, a woman is watching an American film - "Ma's Sin" - which tells the weird revenge story of a middle-aged wife, driven mad by jealousy and a deep feer of dying. During the screening, the viewer's fantasies embodied in male characters harass her. Thus she will live the double adventure of the projected motion picture and of her own mental film. But as the lights turn on, she leaves the theatre, apparently unaffected.
Life Lesson
To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."
L'amour en latin
Screenplay
In an enclosed space of a café for an entire night, a set of characters try to verbalize their thirst for love and their fear that love will overwhelm them.
L'amour en latin
Director
In an enclosed space of a café for an entire night, a set of characters try to verbalize their thirst for love and their fear that love will overwhelm them.
Mourir un peu
Director
America is a legend, an idea. To rediscover the traces of such an idea within the reality of a city requires a transformation of this very city into ideas and legends, to the point that life and death, the real and the imaginary, past and future, that which can be communicated, and that which cannot,high and low are open to a contradictory understanding. Film made between 1981 and 1985.
Mudas Mudanças
Editor
A paralyzed man travels across the city of Porto, finding characters and scenes from popular tales along the way.
Mudas Mudanças
Director
A paralyzed man travels across the city of Porto, finding characters and scenes from popular tales along the way.
Autrefois
Director
AUTREFOIS illustrates, disillustrates and counter-illustrates a monologue by Charles Crosby - narrated by Gilles Mayoux with a jazz background of Bertrand Bishop and Claude Santelli - in which all modes of existence are identified with the harms of progress.
Caderno da Cirurgia
Director of Photography
Caderno da Cirurgia
Editor
A Última Fita
Editor
Nus Dans La Cage D`Escalier
Editor
Nus Dans La Cage D`Escalier
Director
Rua A B
Editor
Ursas Menores
Editor
DISTINTAMENTE (arte e manha)
Director