Editor
The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.
Writer
The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.
Director
The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.
Editor
Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.
Writer
Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.
Director
Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.
Screenplay
ある時、小乃子が目覚めると海岸だった。そこで会った父親が小乃子の頭に刺さった虫を発見する。二人は虫を取る為に散髪屋を探しに行く。ある時、薬店の土井が目覚めると妻がいた。妻は二つの頼みごとをする。一薬を届けに行くこと。二つ目は妻に子供ができたのでお祝いに手袋を作りに行くこと。ある時、和子が目覚めると劇場だった。不快な劇場を出て家に帰ると青い妖怪がいた。和子は妖怪を退治する為に雑貨屋へ向かう。
Director
ある時、小乃子が目覚めると海岸だった。そこで会った父親が小乃子の頭に刺さった虫を発見する。二人は虫を取る為に散髪屋を探しに行く。ある時、薬店の土井が目覚めると妻がいた。妻は二つの頼みごとをする。一薬を届けに行くこと。二つ目は妻に子供ができたのでお祝いに手袋を作りに行くこと。ある時、和子が目覚めると劇場だった。不快な劇場を出て家に帰ると青い妖怪がいた。和子は妖怪を退治する為に雑貨屋へ向かう。
Associate Producer
刑務所から出所したのち、どら焼き屋「どら春」の雇われ店長となった千太郎の店に、徳江という女性がやって来る。その店で働くことを強く希望した徳江を千太郎は採用。徳江が作る粒あんが評判となり、店は大繁盛。そんな中徳江は、つぶれたどら焼きをもらいに来ていた女子中学生のワカナと親しくなる。ところがある日、かつて徳江がハンセン病を患っていたことが近所に知れ渡る。
Director
Kogure is a paperclip bender in a paperclip factory. A man without characteristics. A stoical loser. One day he finds a butterfly in his flat. She becomes his wife, but is even stranger than the bizarre minimal world he lives in. Crazy and funny Japanese neofolk.
Writer
Kogure is a paperclip bender in a paperclip factory. A man without characteristics. A stoical loser. One day he finds a butterfly in his flat. She becomes his wife, but is even stranger than the bizarre minimal world he lives in. Crazy and funny Japanese neofolk.
Moco (voice)
A troop of children from eight to thirteen, abandoned on an island, struggling for life in the midst of passion fueled by the differences of nationalities. A story in the style of Robinson Crusoe revisited by Jules Verne.
