Editor
The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.
Writer
The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.
Director
The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.
Editor
Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.
Writer
Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.
Director
Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.
Screenplay
Konoko wakes up on the beach and goes looking for a barber to take out the bug stucking on her head. Doi, who will soon be a father, goes to make gloves for her wife as a gift, Kazuko wakes up at the theater, and goes home where she finds a blue monster. She goes to a shop to get rid of the monster.
Director
Konoko wakes up on the beach and goes looking for a barber to take out the bug stucking on her head. Doi, who will soon be a father, goes to make gloves for her wife as a gift, Kazuko wakes up at the theater, and goes home where she finds a blue monster. She goes to a shop to get rid of the monster.
Associate Producer
납작하게 구운 반죽 사이에 팥소를 넣어 만드는 전통 단팥빵 도라야키를 파는 작은 가게. 빵 냄새에 이끌려 우연히 가게에 들른 할머니 도쿠에는 마음을 담아 만든다는 비법의 단팥으로 무뚝뚝한 가게 주인과 외로운 단골 소녀의 마음을 사로잡는다. 하지만 이내 할머니의 비밀이 밝혀지게 되는데…
Director
Kogure is a paperclip bender in a paperclip factory. A man without characteristics. A stoical loser. One day he finds a butterfly in his flat. She becomes his wife, but is even stranger than the bizarre minimal world he lives in. Crazy and funny Japanese neofolk.
Writer
Kogure is a paperclip bender in a paperclip factory. A man without characteristics. A stoical loser. One day he finds a butterfly in his flat. She becomes his wife, but is even stranger than the bizarre minimal world he lives in. Crazy and funny Japanese neofolk.
Moco (voice)
A troop of children from eight to thirteen, abandoned on an island, struggling for life in the midst of passion fueled by the differences of nationalities. A story in the style of Robinson Crusoe revisited by Jules Verne.
