Writer
Story
After winning the Nobel Prize, Giovanni Passamonte decides to drive to Stockholm with his sons and assistant rather than fly.
Screenplay
After winning the Nobel Prize, Giovanni Passamonte decides to drive to Stockholm with his sons and assistant rather than fly.
Screenplay
Two under-appreciated artists meet while traveling to Montevideo, where one will give a concert. They initially dislike each other but eventually build a relationship as a means of finding a way out of their existential loneliness.
Writer
Mamma Stella is on edge. As if she hadn't got enough trouble already with her daughter Rosa Maria, who has left her husband now Costantino, her son, has disrobed. Afraid to be the talk of the village, relegates him to a distant lighthouse belonging to the family. But Costantino does not remain far from the madding crowd for long. It does not take long indeed before all the local (or even distant) outcasts flock together there: Magnolia, a retired escort girl; Arturo, Rosa Maria's estranged husband; Valbona, a lesbian; Rosa Maria herself; and, to crown it all, two eccentric workers accompanied by a little girl... After a period of chaos, this small world gradually discovers that unity makes strength.
Screenplay
A music group and a journalist cross the region of Basilicata by foot to attend a music festival.
Story
A music group and a journalist cross the region of Basilicata by foot to attend a music festival.
Writer
Writer
A bodyguard with split personality is hired to protect an elderly American actor sent to Italy to promote a western video game. They get on each other's nerves but eventually form a bond. He also meets a pretty social worker with problems.
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.
