Writer
Story
After winning the Nobel Prize, Giovanni Passamonte decides to drive to Stockholm with his sons and assistant rather than fly.
Screenplay
After winning the Nobel Prize, Giovanni Passamonte decides to drive to Stockholm with his sons and assistant rather than fly.
Screenplay
Two under-appreciated artists meet while traveling to Montevideo, where one will give a concert. They initially dislike each other but eventually build a relationship as a means of finding a way out of their existential loneliness.
Writer
Священник Дон Костантино решает сложить сан и возвращается в свой родной город. Его мать не может допустить, чтобы жители узнали о таком позоре, и отправляет сына жить в заброшенный дом на маяке. Для мамы Стеллы это не первое разочарование в детях: совсем недавно ее дочь Роза Мария бросила своего мужа Артура и сбежала с таинственным любовником. Старый маяк удивительным образом притягивает людей как магнит, превращаясь постепенно в настоящее убежище для грешников. За бывшим священником туда приезжает бывшая проститутка Магнолия, а потом и брошенный муж сестры Дона Костантино. В добавок на маяк прибывает очень необычная ремонтная бригада, которую вызвали для починки старого дома.
Screenplay
A music group and a journalist cross the region of Basilicata by foot to attend a music festival.
Story
A music group and a journalist cross the region of Basilicata by foot to attend a music festival.
Writer
Writer
A bodyguard with split personality is hired to protect an elderly American actor sent to Italy to promote a western video game. They get on each other's nerves but eventually form a bond. He also meets a pretty social worker with problems.
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.