Producer
After finishing a job on a Texas oil rig, John returns to his home town in Mississippi - where he will confront not only his own repressed trauma, but that of a society grieving dying American myths.
Co-Producer
Davud returns from war to find everyone in his village has succumbed to a strange illness and has decomposed. His sister, the only survivor, is slowly rotting away herself. Davud is troubled by his memories as a soldier, as he confronts the only true question: is surviving the same as living?
Producer
As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.
Writer
As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.
Director
As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.
Producer
Isabel and her family take possession of her mother’s villa in rural Mexico where they reconnect with their long-time domestic worker Mari, whose sister has disappeared.
Nico, a güero who has grown bored of his privileged life, decides to make a documentary film on punk culture. He meets Omar, the Club Internacional Aguerridos leader, who introduces him to a world of music, pot, delinquency and free love.
Assistant Director
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horsebreaker and Juan is unable to control his jealousy.
Cinematography
For seniors in Pahokee, a small, mainly African-American industrial town on Florida's Lake Okeechoboee, the Monday after prom is 'Skip Day.' Dozens of the students, miss their lessons, driving 60 miles to hang out and ponder their futures on the windy dunes of the Atlantic shoreline. The film intimately observes the shared joys of communal activity and extravagant display which bind these boisterous teenagers in their rites of passage towards an uncertain adulthood.
Cinematography
Jack, an unappreciated American writer in his sixties, comes to the off-season peninsula of Hel in the north of Poland and isolates himself to write a script. He meets Kail, a local who earns money by making lie-detector tests. Jack doesn't find any inspiration until some tourists mysteriously disappear - one of them found dead with his tongue cut off. Kail, persuaded by his friend Mila that Jack is the murderer, begins an investigation. The truth turns out to be more twisted when he discovers that Jack is writing about him.
Screenplay
It's Friday morning at Panamerican Machinery Inc., a company specialising in selling and repairing machines for construction and destruction. The employees are already winding down for the weekend, engaging in little rituals and routines when an unexpected turn of events shakes their peaceful monotony. Don Alejandro, the boss, lies dead at the back of the warehouse.
Director
It's Friday morning at Panamerican Machinery Inc., a company specialising in selling and repairing machines for construction and destruction. The employees are already winding down for the weekend, engaging in little rituals and routines when an unexpected turn of events shakes their peaceful monotony. Don Alejandro, the boss, lies dead at the back of the warehouse.
Director of Photography
Coral, a 7 year old girl, goes to the construction site of a house in the beaches of Puerto Escondido Oaxaca every day after school to visit his godfather Diego. She waits for hours for Diego to take her home, spending time creating her own pieces and transforming her little universe. While she waits, Coral meets Oriente, a carpenter that hopes to see again his family in a faraway town.
Screenplay
The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.
Director
The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.
