Tomoyuki Furumaya

Tomoyuki Furumaya

出生 : 1968-11-14, Shiojiri, Nagano Prefecture, Japan

略歴

Tomoyuki Furumaya is a Japanese film director. Born in Nagano Prefecture, Furumaya was attending Nihon University when his 16mm film, Shakunetsu no dojjibōru, won the grand prize at the Pia Film Festival. That earned him a Pia Scholarship to make his first theatrical feature, This Window Is Yours, a film that won the first Dragons and Tigers Award at the Vancouver International Film Festival and helped him get the Directors Guild of Japan New Directors Award in 1994. His film Bad Company won a Tiger Award and the FIPRESCI Award at the 2001 Rotterdam Film Festival. Sayonara Midori-chan also was the runner-up in the competition at the 2005 Three Continents Festival. He has also worked on such television programs as Mori no Asagao. Furumaya is married to actress Miako Tadano.

プロフィール写真

Tomoyuki Furumaya
Tomoyuki Furumaya

参加作品

PLAY! ~勝つとか負けるとかは、どーでもよくて~
Director
A bumpy team that suddenly formed challenges the Rocket League national tournament.
飴色パラドックス
Director
As a reporter at a weekly magazine, Satoshi Onoe takes pride in his ability to write well and report ethically. But when the stakeout teams are shuffled around in light of a new investigation, Onoe ends up being paired up with the one and only Motoharu Kaburagi, an ill-mannered photographer who spells nothing but trouble. Onoe, who secretly regards Kaburagi as his biggest rival, absolutely despises him and his haphazard and unethical reporting methods, with the two bickering constantly. However, much to Onoe's surprise, his annoyance soon begins to shift as he spends more time with Kaburagi, and his feelings towards his arch nemesis turn a bit sweeter...
昭和歌謡ミュージカル また逢う日まで
Director
バブル真っ盛りの時代に生きづらさを感じるサエ(福本莉子)は夢も語れずOL生活を送っていたが、ひょんなことからパラレルワールド「令和」に迷い込んでしまう!きれいで住みやすい街、他人を思いやる人々。夢のような世界だが、なぜか人々の目線はスマホにくぎづけで…。と、退屈する子どものために歌ったピンク・レディーがSNSで バズった!サエは嫌いだった昭和歌謡を武器に、人間関係が希薄な「令和」を変えていくが…!?
のぼる小寺さん
Director
クライミング部の小寺さん(工藤遥)は、壁を見るだけでウズウズしてしまうほどボルダリングが大好きだった。クライミング部の隣で練習する卓球部の近藤(伊藤健太郎)は、小寺さんと話すとうれしくなり、次第に惹かれていく。しかし、小寺さんに思いを寄せているのは近藤だけではなかった。
サクらんぼの恋
Writer
お人好しな性格のせいで周囲からバカにされ、冴えない日々を送っていた45歳の童貞男が、 大ファンだったAV女優と出会い、ピュアな恋に落ちる姿をハートウォーミングに、そしてリアルに描いた恋物語。
サクらんぼの恋
Director
お人好しな性格のせいで周囲からバカにされ、冴えない日々を送っていた45歳の童貞男が、 大ファンだったAV女優と出会い、ピュアな恋に落ちる姿をハートウォーミングに、そしてリアルに描いた恋物語。
キリング・カリキュラム
Director
Elementary school alumnus are held captive in a school and forced to play a fatal game "Jinroh Game."
「また、必ず会おう」と誰もが言った。
Director
ひょんなことから東京へ一人旅に出ることになった高校生の和也は、初めての東京で財布を紛失し途方に暮れる。そんな彼は、自分に話し掛けてきてくれた女性やトラック運転手・柳下など見知らぬ人たちに助けてもらう。柳下のトラックに同乗して共に旅する途中、母親と別々に生活している少年と知り合った和也は、柳下に代わって少年を母親のところに送ろうとする。
魔術はささやく
Director
A woman named Kazuko (Kimura) who was guilty of a “serious crime” in the past, along with three of her friends. Those friends suddenly begin to die one by one. Kazuko learns that one of those deaths is somehow connected to Mamoru (Nakamura Aoi), her younger brother from whom she has been separated ever since their father disappeared 15 years earlier. Although Mamoru knows nothing of his sister, Kazuko is determined to find the killer in order to protect Mamoru and herself.
武士道シックスティーン
Writer
3歳から鍛錬を積んできた剣道エリートの香織(成海璃子)は、とある大会で同学年の無名選手に負けたことが忘れられず、その選手を追って剣道の名門・東松学園に入学する。しかし再会した因縁の敵・早苗(北乃きい)は、ほぼ実績ゼロ、剣道は楽しむのがモットーのお気楽少女だった!失望しながらも強引に引っ張っていこうとする香織の姿に、次第に早苗は引き込まれていく。一方、香織も普通の16歳を生きる早苗を通して今まで経験してこなかった世界を知るようになる。勝つことしか考えてなかった香織と、父親の事業失敗という経験から勝負に対して否定的な早苗。全く接点のなかった二人が剣道を通して出会い、ぶつかりそして成長していく。剛と柔、対照的な2人は最高の好敵手になれるのか?
武士道シックスティーン
Director
3歳から鍛錬を積んできた剣道エリートの香織(成海璃子)は、とある大会で同学年の無名選手に負けたことが忘れられず、その選手を追って剣道の名門・東松学園に入学する。しかし再会した因縁の敵・早苗(北乃きい)は、ほぼ実績ゼロ、剣道は楽しむのがモットーのお気楽少女だった!失望しながらも強引に引っ張っていこうとする香織の姿に、次第に早苗は引き込まれていく。一方、香織も普通の16歳を生きる早苗を通して今まで経験してこなかった世界を知るようになる。勝つことしか考えてなかった香織と、父親の事業失敗という経験から勝負に対して否定的な早苗。全く接点のなかった二人が剣道を通して出会い、ぶつかりそして成長していく。剛と柔、対照的な2人は最高の好敵手になれるのか?
奈緒子
Screenplay
ぜんそくの療養のため、長崎県波切島を訪れた12歳の奈緒子(藤本七海)は、風のように走り続ける10歳の少年雄介(境大輝)を舟の上から見つめていた。その後、奈緒子は海に落ち、彼女を救った雄介の父が亡くなってしまう。それから6年の歳月が過ぎ、奈緒子(上野樹里)は陸上大会で天才ランナーに成長した雄介(三浦春馬)と偶然再会する。
奈緒子
Director
ぜんそくの療養のため、長崎県波切島を訪れた12歳の奈緒子(藤本七海)は、風のように走り続ける10歳の少年雄介(境大輝)を舟の上から見つめていた。その後、奈緒子は海に落ち、彼女を救った雄介の父が亡くなってしまう。それから6年の歳月が過ぎ、奈緒子(上野樹里)は陸上大会で天才ランナーに成長した雄介(三浦春馬)と偶然再会する。
ホームレス中学生
Director
Based on an autobiography by Hiroshi Tamura, the film follows story of the author's experience of homelessness when this father suddenly decides to abandon his family. Hiroshi and his older siblings do all what they can to withstand the trouble they encounter along their way.
さよならみどりちゃん
Director
お茶汲みOL・ゆうこはいい加滅なカフェ店員。ユタカのことが好き。初めてユタカと寝た日、ゆうこはユタカにみどりという彼女がいることを知った。ユタカに嫌われたくない一心で何も言えないゆうこは、ユタカにすすめられるがまま、スナックでホステスのバイトを始める。お互いの電話番号も知らないまま、二人の畷昧な関係は続いて行くが…。 軽くてだらしなくてデリカシーのない男。でも好きになってしまう、彼の磁力にとらわれてしまう。他に優しい男ならいくらでもいる。でも彼じゃないとだめなんだ、なんでだろう。 リアルで切ない恋愛模様を描かせたら右に出るものはいない南Q太の傑作コミック『さよならみどりちゃん』、待望の映画化である。
ロボコン
Screenplay
高専に通う里美は何事にもやる気ゼロの落ちこぼれ生徒。授業の課題だったロボット製作も手を抜いたばっかりに1ヵ月の居残り授業が確実に。それを免れる条件として担任の図師は“ロボット部に入って、ロボコンに出場する”という妥協案を出してきた。実は、わずか3人のロボット部は1人がほとんどユウレイ部員と化していたせいで、大会出場規定の3人を満たせずピンチに陥っていたのだった。他の2人もどうしようもない変わり者だったが、居残り授業よりはマシと、渋々仮入部する里美。そして、とりあえず地方大会へと出場するのだったが…。
ロボコン
Director
高専に通う里美は何事にもやる気ゼロの落ちこぼれ生徒。授業の課題だったロボット製作も手を抜いたばっかりに1ヵ月の居残り授業が確実に。それを免れる条件として担任の図師は“ロボット部に入って、ロボコンに出場する”という妥協案を出してきた。実は、わずか3人のロボット部は1人がほとんどユウレイ部員と化していたせいで、大会出場規定の3人を満たせずピンチに陥っていたのだった。他の2人もどうしようもない変わり者だったが、居残り授業よりはマシと、渋々仮入部する里美。そして、とりあえず地方大会へと出場するのだったが…。
まぶだち
Writer
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
まぶだち
Director
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
宇宙貨物船レムナント6
Assistant Director
In the year 2046, overpopulation and exhaustion of resources has forced humanity to travel into space. A colony is established on Mars. This film is about what happens when one cargo ship traveling between Mars and Earth collides with an asteroid.
ヘルプ レス
Assistant Director
Yasuo is a gangster just released from jail. Believing his boss double-crossed him, enraged Yasuo is on his way to find the boss. But before setting out for the dangerous trip, Yasuo asks Kenji to take care of his mentally challenged sister, Yuri, and a mysterious black bag.
この窓は君のもの
Writer
The day before summer vacation. Yoko who tastes Tallow of the third year high school student will move to Hokkaido. However, with my grandpa's selfishness, she returned from the station and decided to live at the house next to Tallow! To the feeling that should have been sorted out, the fire is put on again.
この窓は君のもの
Director
The day before summer vacation. Yoko who tastes Tallow of the third year high school student will move to Hokkaido. However, with my grandpa's selfishness, she returned from the station and decided to live at the house next to Tallow! To the feeling that should have been sorted out, the fire is put on again.
灼熱のドッジボール
Producer
One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.
灼熱のドッジボール
Script
One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.
灼熱のドッジボール
Director
One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.