Tomoyuki Furumaya

Tomoyuki Furumaya

출생 : 1968-11-14, Shiojiri, Nagano Prefecture, Japan

약력

Tomoyuki Furumaya is a Japanese film director. Born in Nagano Prefecture, Furumaya was attending Nihon University when his 16mm film, Shakunetsu no dojjibōru, won the grand prize at the Pia Film Festival. That earned him a Pia Scholarship to make his first theatrical feature, This Window Is Yours, a film that won the first Dragons and Tigers Award at the Vancouver International Film Festival and helped him get the Directors Guild of Japan New Directors Award in 1994. His film Bad Company won a Tiger Award and the FIPRESCI Award at the 2001 Rotterdam Film Festival. Sayonara Midori-chan also was the runner-up in the competition at the 2005 Three Continents Festival. He has also worked on such television programs as Mori no Asagao. Furumaya is married to actress Miako Tadano.

프로필 사진

Tomoyuki Furumaya
Tomoyuki Furumaya

참여 작품

PLAY!
Director
A bumpy team that suddenly formed challenges the Rocket League national tournament.
Candy Color Paradox
Director
As a reporter at a weekly magazine, Satoshi Onoe takes pride in his ability to write well and report ethically. But when the stakeout teams are shuffled around in light of a new investigation, Onoe ends up being paired up with the one and only Motoharu Kaburagi, an ill-mannered photographer who spells nothing but trouble. Onoe, who secretly regards Kaburagi as his biggest rival, absolutely despises him and his haphazard and unethical reporting methods, with the two bickering constantly. However, much to Onoe's surprise, his annoyance soon begins to shift as he spends more time with Kaburagi, and his feelings towards his arch nemesis turn a bit sweeter...
Showa Kayo Myujikaru Mata Au Hi Made
Director
오르는 코테라씨
Director
Kotera (Haruka Kudo) is a high school student. She belongs to the school's climbing club and is enthusiastic with bouldering. She is polite and has a tender personality. Meanwhile, Kondo (Kentaro Ito) is a member of ping pong club at the same school and is attracted to Kotera.
A Cherry Boy's Love
Writer
A 45-year-old virgin has a hard time adjusting to society and he keeps himself in his own world.
A Cherry Boy's Love
Director
A 45-year-old virgin has a hard time adjusting to society and he keeps himself in his own world.
Killing Curriculum
Director
Elementary school alumnus are held captive in a school and forced to play a fatal game "Jinroh Game."
The Road Less Travelled
Director
Kazunari Katsuki (Gaku Sano) lied to his classmate that Tokyo stinks. Because of his comment, he goes to Tokyo alone. On his way back, he misses his flight back to Kumamoto. Kazunari only 3,400 yen in his pocket. He becomes confused about his missed flight. At that time, Masami Tanaka (Kaoru Sugita), who works at an airport souvenir shop, talks to Kazunari. On Kazunari's unusual trip back to Kumamoto, he meets many different adults and begins to think about his life.
마술은 속삭인다
Director
A woman named Kazuko (Kimura) who was guilty of a “serious crime” in the past, along with three of her friends. Those friends suddenly begin to die one by one. Kazuko learns that one of those deaths is somehow connected to Mamoru (Nakamura Aoi), her younger brother from whom she has been separated ever since their father disappeared 15 years earlier. Although Mamoru knows nothing of his sister, Kazuko is determined to find the killer in order to protect Mamoru and herself.
Bushido Sixteen
Writer
Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.
Bushido Sixteen
Director
Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.
나오코
Screenplay
천식으로 섬에 요양을 갔던 12살의 나오코는 눈이 부실만큼 달리는 모습이 아름다운 소년 유스케를 만난다. 그러나 그 만남은 곧 슬픈 사건으로 바뀌었으니, 바다에 빠진 나오코를 구하려다 유스케의 아버지가 목숨을 잃게 된 것이다.사건 이 후, 유스케를 잊지 못하고 육상부에 가입한 나오코는 한 육상대회에서 천재 마라토너로 성장한 그와 재회하게 된다. 그러나 둘 사이에 쌓여 있는 아픈 기억은 그들의 시간을 6년 전 그날에서 멈춰 놓았고, 유스케의 마음 역시 굳게 닫혀있다. 그럼에도 그를 떠나지 못하고 주변을 맴돌던 나오코는 역전 마라톤을 준비하는 유스케의 매니저로 지명되어 함께 합숙훈련을 떠나게 된다.바다에서 불어오는 상쾌한 바람을 타고, 멈춰있던 두 사람의 시간도 다시 움직일 수 있을까!
나오코
Director
천식으로 섬에 요양을 갔던 12살의 나오코는 눈이 부실만큼 달리는 모습이 아름다운 소년 유스케를 만난다. 그러나 그 만남은 곧 슬픈 사건으로 바뀌었으니, 바다에 빠진 나오코를 구하려다 유스케의 아버지가 목숨을 잃게 된 것이다.사건 이 후, 유스케를 잊지 못하고 육상부에 가입한 나오코는 한 육상대회에서 천재 마라토너로 성장한 그와 재회하게 된다. 그러나 둘 사이에 쌓여 있는 아픈 기억은 그들의 시간을 6년 전 그날에서 멈춰 놓았고, 유스케의 마음 역시 굳게 닫혀있다. 그럼에도 그를 떠나지 못하고 주변을 맴돌던 나오코는 역전 마라톤을 준비하는 유스케의 매니저로 지명되어 함께 합숙훈련을 떠나게 된다.바다에서 불어오는 상쾌한 바람을 타고, 멈춰있던 두 사람의 시간도 다시 움직일 수 있을까!
홈리스 중학생
Director
중학교 2학년 여름방학 종업식 날, 여느 때와 변함없이 집에 돌아온 소년 히로시는 중대한 일이 생겼다는 사실을 알게 된다. 차압이 들어온 집에서 더 이상 살 수 없게 된 가족들. 아버지는 가족들을 일렬로 세워놓고 느닷없이 '해산' 선언을 한 채 어디론가 사라진다. 가족들은 뿔뿔이 흩어지고, 히로시는 13살의 나이에 노숙 생활을 하게 되는데...
안녕 미도리짱
Director
Naive office girl Yuko supports her blithe big city lifestyle with a part-time job at a neighborhood cafe. Attracted to her manager there, the shallow but charming Yutaka, she willingly succumbs to his lascivious advances only to discover afterward that he already has a girlfriend by the name of Midori. Even so, Yuko's feelings for Yutaka continue to grow regardless of his aloofness. Before long she finds herself reluctantly cajoled into working as a hostess in a small karaoke bar. Fatalistically accepting his dalliances with flames old and new, she perseveres not so much in hope of a more substantial relationship, but rather out of fear of losing him. There are other men out there waiting for her -- kinder, more considerate and eagerly available. But for Yuko, there is only the non-committal, yet torridly magnetic Yutaka. Why him? Not even Yuko seems to know the answer.
로보콘
Screenplay
담당교사로부터, 보충수업 면제를 받으려면 제2 로보트부에 가입해야 한다는 명령을 받은 사토미. 그곳은 대회 출전권 조차 제대로 받아 본 적 없는 유령과 같은 동아리였다. 그런데, 아주 사소한 계기를 통해 전국대회의 출전이 결정되고 합숙생활을 시작하게 되는데..
로보콘
Director
담당교사로부터, 보충수업 면제를 받으려면 제2 로보트부에 가입해야 한다는 명령을 받은 사토미. 그곳은 대회 출전권 조차 제대로 받아 본 적 없는 유령과 같은 동아리였다. 그런데, 아주 사소한 계기를 통해 전국대회의 출전이 결정되고 합숙생활을 시작하게 되는데..
Bad Company
Writer
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
Bad Company
Director
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
Space Ship Remnant 6
Assistant Director
In the year 2046, overpopulation and exhaustion of resources has forced humanity to travel into space. A colony is established on Mars. This film is about what happens when one cargo ship traveling between Mars and Earth collides with an asteroid.
헬프리스
Assistant Director
"유레카"로 깐느 심사위원상을 수상한 아오야마 신지 감독의 첫 데뷔작. 출옥한 야쿠자 보스가 고향으로 돌아와 자신을 배반한 사람들을 차례로 살해하며 세상을 떠난 아버지의 그림자를 쫓는다. 장애자 여동생을 돌보는 친구 아사노 또한 아버지의 죽음을 맞게 되는데. 90년대 일본 젊은이들의 허무감과 절망감을 표현한 영화로 "유레카"를 떠올리게 하는 아오야마 신지의 초기 걸작이다. 아버지 또는 국가라는 존재가 젊은이에게 남긴 것이 무엇이며, 거기에서 도주하는 것이 어떠한 것인가에 대한 감독의 문제의식이 투영되어 있는 작품.
This Window Is Yours
Writer
The day before summer vacation. Yoko who tastes Tallow of the third year high school student will move to Hokkaido. However, with my grandpa's selfishness, she returned from the station and decided to live at the house next to Tallow! To the feeling that should have been sorted out, the fire is put on again.
This Window Is Yours
Director
The day before summer vacation. Yoko who tastes Tallow of the third year high school student will move to Hokkaido. However, with my grandpa's selfishness, she returned from the station and decided to live at the house next to Tallow! To the feeling that should have been sorted out, the fire is put on again.
灼熱のドッジボール
Producer
One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.
灼熱のドッジボール
Script
One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.
灼熱のドッジボール
Director
One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.