Kari Rae Seekins

22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)

White Afro employs an archival instructional video on how to offer curly perms or body waving services to their white clientele, ostensibly for financial gain.

The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants.

The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants.

Mahogany Too takes the 1975 cult classic Mahogany – a fashion-infused romantic drama – as its base. The film examines and revives Diana Ross's iconic portrayal of Tracy Chambers. Analogue film provides vintage tones, which emphasises the essence of the character, re-creating Tracy’s qualities through fashion, modelling, and styling.

This epistolary short film invites us into the unsettling life of a young Ghanaian man struggling to reconcile his love for his mother with his love for same-sex desire. Berlin International Film Festival 2016: Nominated Golden Berlin Bear for Best Short Film and Teddy Best Short Film.

A woman is dealing with trauma, but tonight she might be going over the edge.

A woman is dealing with trauma, but tonight she might be going over the edge.

A unique exploration of fashion and hairstyles in the 1970s using found footage as the subject matter.

Icelandic nature is battling industrialization.

A Birth of BrainFly is a surreal narrative dealing with the process of a person’s individuation in a mental scape. A journey through and into Self, the constructed labyrinths of Ego, and the creative transcendence of the mind's physical limitations. Birth of BrainFly charts a surreal course of a psyche's evolution within the invisible landscape of the mind. The visual landscape is made up of a mélange of experiments in collage, live action, hand drawn, paint on film and multi plane.

Thrown naked into a desolate room with thirteen strangers, Tonya discovers that she is the final contestant in a deadly game. Restrained by lethal electronic collars, the players must utilize hints and tools from a box marked "pieces" to find both an exit and the reason for their abduction. One by one the players are eliminated as their "curfew" begins and the lights go out. With each dead body comes another clue, which they use to discover that one of them is the killer. The question is ... which one?

Intermittent Delight juxtaposes close-ups of batik textiles, fashion and design from the 1950s and 1960s, images of men weaving and women sewing in Ghana, and fragments of a Westinghouse 1960s commercial- aimed to instruct women on the how-to of refrigerator decoration.

Intermittent Delight juxtaposes close-ups of batik textiles, fashion and design from the 1950s and 1960s, images of men weaving and women sewing in Ghana, and fragments of a Westinghouse 1960s commercial- aimed to instruct women on the how-to of refrigerator decoration.