Kari Rae Seekins

22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)

Utilizando um filme de arquivo sobre como fazer penteados afro em pessoas brancas, White Afro mistura o vídeo instrutivo com a experiência da mãe da diretora ao trabalhar em um salão de cabeleireiro em Alexandria, Virgínia, cuja clientela era predominantemente branca.

The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants.

The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants.

Mahogany Too takes the 1975 cult classic Mahogany – a fashion-infused romantic drama – as its base. The film examines and revives Diana Ross's iconic portrayal of Tracy Chambers. Analogue film provides vintage tones, which emphasises the essence of the character, re-creating Tracy’s qualities through fashion, modelling, and styling.

This epistolary short film invites us into the unsettling life of a young Ghanaian man struggling to reconcile his love for his mother with his love for same-sex desire. Berlin International Film Festival 2016: Nominated Golden Berlin Bear for Best Short Film and Teddy Best Short Film.

A woman is dealing with trauma, but tonight she might be going over the edge.

A woman is dealing with trauma, but tonight she might be going over the edge.

Uma mulher faz um aplique, mulheres negras em salões de cabeleireiro trançam seus cabelos e outra mulher experimenta um turbante amarelo. Manipulando e reposicionando imagens de arquivo, Split Ends, I Feel Wonderful observa a última moda em penteados de 1975 entre os afro-americanos em Nova York.

Icelandic nature is battling industrialization.

A Birth of BrainFly is a surreal narrative dealing with the process of a person’s individuation in a mental scape. A journey through and into Self, the constructed labyrinths of Ego, and the creative transcendence of the mind's physical limitations. Birth of BrainFly charts a surreal course of a psyche's evolution within the invisible landscape of the mind. The visual landscape is made up of a mélange of experiments in collage, live action, hand drawn, paint on film and multi plane.

Totalmente nua, Tonya acorda numa enorme sala onde estão treze desconhecidos, também desnorteados como ela. Assustada, ela descobre que é concorrente de um jogo mortal, do qual todos devem participar.

Intermittent Delight juxtaposes close-ups of batik textiles, fashion and design from the 1950s and 1960s, images of men weaving and women sewing in Ghana, and fragments of a Westinghouse 1960s commercial- aimed to instruct women on the how-to of refrigerator decoration.

Intermittent Delight juxtaposes close-ups of batik textiles, fashion and design from the 1950s and 1960s, images of men weaving and women sewing in Ghana, and fragments of a Westinghouse 1960s commercial- aimed to instruct women on the how-to of refrigerator decoration.