James Hynes

Before the T.I.C and the Clappers crew were formed, the members worked for a ruthless Yardie boss, Beverly. One of the boys, Jay has ambitions to set up on his own. He has no money, his car keeps getting towed away, every move he makes to get money and lift himself out of the everyday struggle is unsuccessful. Inspired by his high-flying girlfriend, Selene, he sets about laying the foundations for his own organised crime ring. Things are going seemingly well until he is arrested and Beverley discovers his hidden ambition. An ill-fated robbery after a stint in jail and a trip to Jamaica tears the crew apart. All their actions are being monitored by an undercover police officer who goes by the street name ‘Gunz’, who has been deployed by the Met Police to ingratiate himself with the crew. With the same grit, humour and action sequences as its’ predecessor, ‘THE COME UP’ promises to follow ‘THE INTENT’ in becoming an instant cult classic but with international reach.

From the director of CANDYMAN and the producers of PARANORMAL ACTIVITY comes a found-footage nightmare of lust, possession, and destruction. Jill's an artist. Ian's a filmmaker. And their love life is off the chain. There's no experience too wild, no dare too dangerous—not even when Jill lets Ian strap her to a gurney in the abandoned hospital they're scoping out for their next art show. But he shouldn't have left her alone. Not even as a joke. Now, Jill's hookup with horror has awakened something in that place. Something with a lust for more than flesh.

A struggling, indebted business man leaves his family immediately after Christmas to pursue a lucrative property deal that could solve all of his problems: buying foreclosed properties from banks at a fraction of their value, refitting them for a minimum cost, and then selling them for a large profit. He hires a local chauffeur for 24 hours to drive him around the mountainous area but, as night sets in and the weather worsens, the car is trapped on an icy road and the men face an uncertain fate.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.