James Hynes

Before the T.I.C and the Clappers crew were formed, the members worked for a ruthless Yardie boss, Beverly. One of the boys, Jay has ambitions to set up on his own. He has no money, his car keeps getting towed away, every move he makes to get money and lift himself out of the everyday struggle is unsuccessful. Inspired by his high-flying girlfriend, Selene, he sets about laying the foundations for his own organised crime ring. Things are going seemingly well until he is arrested and Beverley discovers his hidden ambition. An ill-fated robbery after a stint in jail and a trip to Jamaica tears the crew apart. All their actions are being monitored by an undercover police officer who goes by the street name ‘Gunz’, who has been deployed by the Met Police to ingratiate himself with the crew. With the same grit, humour and action sequences as its’ predecessor, ‘THE COME UP’ promises to follow ‘THE INTENT’ in becoming an instant cult classic but with international reach.

신진 예술가인 질(케이틀린 폴리)과 그녀의 남자친구이자 카메라 맨인 아담(이안 던컨)은 그들의 일상과 은밀함을 카메라에 모두 담는걸 즐기는 커플. 질의 전시회 장소를 찾던 두 사람은 어느 버려진 병원을 발견하고, 호기심과 충동에 이끌려 몰래 들어간 그 곳에서 알 수 없는 기이한 현상들과 맞닥뜨리게 된다. 도망치듯 병원을 빠져 나온 두 사람은 친구인 바비(크리스 코이)와 엘리(다이애나 가르시아)를 만나 다시 그 곳으로 들어가지만 다툼 끝에 서로 뿔뿔이 흩어지게 되고, 홀로 배회하며 질의 행방을 찾던 아담은 마침내 그녀와 재회한다. 하지만 출구를 찾지 못한 채 같은 자리를 맴돌던 그들은 그 곳에 숨겨진 진실과 마주하게 되는데…

A struggling, indebted business man leaves his family immediately after Christmas to pursue a lucrative property deal that could solve all of his problems: buying foreclosed properties from banks at a fraction of their value, refitting them for a minimum cost, and then selling them for a large profit. He hires a local chauffeur for 24 hours to drive him around the mountainous area but, as night sets in and the weather worsens, the car is trapped on an icy road and the men face an uncertain fate.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.