Joe Wonder

Wealthy widow Helen Mercer hires a young woman, Gretchen Addison, to act as her personal assistant and companion. Unfortunately, Helen is a poor judge of character, as Gretchen is part of a murderous extortionist duo with her boyfriend, Jay. However, Gretchen has second thoughts when she develops genuine affection for Helen. When Gretchen informs Jay that she wants to call off their plot, he refuses and carries on with the plan. Now both Helen and Gretchen may be in grave danger.

A number of business people, keeping the Christmas Eve office party going longer than was originally intended, are beset by a fire that starts in the basement of their office building and creeps up at them from floor to floor.

A newspaper publisher listens to the personal tapes of investigative reporter David Norliss, who has disappeared during an investigation. The tapes tell the story of that investigation, involving a recent widow whose late husband has been seen working in his private studio. As Norliss and the widow investigate, they unravel a plot involving Voodoo and the walking dead.

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

When a newlywed woman is taken to her husband's hometown to meet his mother, she is possessed by the vengeful spirit of his previous wife.

Dennie has returned from a year among the hippies to her superficial, image-conscious suburban family. She must face their disapproval of her actions. They refuse to even try to understand. She must also deal with an ex-lover, and a beloved young sister who is following in her footsteps, wanting the idealistic hippie life but making some rash decisions in the process.

The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.

A Martian teenager sent to prepare for an invasion falls in love with an Earth girl.

A millionaire sets out to prove his theory that his pet chimpanzee is as intelligent as the teenagers who hang out on the local beach, where he is intending to build a retirement home.

Local beach-goers find that their beach has been taken over by a businessman training a stable of body builders.

An undertaker who hasn't had any 'customers' in a long time is forced to pay one year's back-rent. To get money he starts to kill people, which brings absurd results.

Jimmy, Clark Kent and Lana Lang's friend, is ashamed that his father works as a doorman at the Smallville theater. His opinion changes when Superboy is able to thwart a robbery with Jimmy's father's help.

Steve Gordon, an American agent posing as a black market operator, is in Tangier on a mission to stop the plans of three atomic-scientists who are there to pool their secrets and sell them in a package to the Communists.

A veteran homicide detective who has witnessed his socialite girlfriend kill her husband sees his inexperienced brother assigned to the case.

Red Ryder KO's a fight racket with sidekick Little Beaver (Little Brown Jug) and a new friend.

南北戦争前後を舞台に、広大な牧場を持った開拓者とその養子が、新たな商機への道行きの中で様々な局面に遭遇し、衝突しながら苦難を乗り越えていく姿を描いた西部劇。南部に広大な牧場を持つダンスンは、養子のマシュウらと共に、東部へのビッグ・トレイルを敢行した。だが、道は険しく、ダンスンのいらだちは次第に募っていく。やがて、レッド・リバーのほとりにさしかかったとき、牧童の三人が逃亡するという事件が起こった。厳しい処置をとろうとするダンスンに対して、マシュウは牧童の味方をし、ダンスンを脅してその場に置き去りにする。怒りに燃えたダンスンは、マシュウを殺すことを誓うが……。