Keiko Koyanagi

地球では、はるかかなたから降ってきた“宇宙の石”が大ブーム! 大もうけしようとたくらみ、 海の底で宇宙の石をさがしはじめたゾロリたちであったが、ひょんなことから、な・な・な・なんと宇宙まで行っちゃった!! ゾロリたちがたどりついたのは謎の星、ムムーン星。 そこで美少女・クララに一目ぼれしたゾロリは、彼女のハートをゲットするため、星に住みついた <巨大怪獣退治を引きうけてしまう······ ゾロリはイシシ・ノシシとともに、巨大怪獣をやっつけて、無事に宇宙から地球に帰ることはできるのか!?

A mountain man beheads his many wives to prove his love to an alluring woman he meets in an enchanted forest.

Two women are ferried to a small prison colony on the remote and barren prison island, where they and their fellow inmates are forced to perform perilous slave labor along the island’s treacherous cliffs, overseen by both an unforgiving sun and a crew of abusive male wardens. Meanwhile, the arrival of a newcomer among the island’s administrators, a disgraced policeman who is also the son of Nagasaki’s governor, creates dissension between the officials that, along with an untimely outbreak of bubonic plague on the island, ultimately sets the stage for a daring escape attempt on the part of the prisoners.

Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.

BLOOD END is one of the great unknown films from Japan's golden era of the late 1960's. Starring NAKADAI Tatsuya in one of his best roles, this is the story of the Mito Tengu Group who attempted to overthrow the Shogunate at the beginning of the Bakumatsu Period. Their political aspirations led to countless assassinations, as well as senseless killing of innocent people who got in their way. Sentaro (NAKADAI), a farmer who's been severely beaten for his outspoken defiance of the government and the high taxes during a time of famine is befriended by one of the group's leaders, KADA Gentaro (KATO Go) and joins up. This is the masterpiece of director YAMAMOTO Satsuo (who is best known for the first film in the NINJA, BAND OF ASSASSINS series) the erstwhile 'Leftist' director, who used his films to make his political points. Stunning fight choreography, and ultra-violence make this one of the bloodiest films of that era. A powerful film Rare classic!

The tragic, yet exciting story of the friendship between Nakayama Yasubei, a member of the 47 Ronin, and Tange Tenzen, a relative by marriage of the vile Lord Kira. Remake of Hakuôki AKA Samurai Vendetta (1959).

A young girl named Oichi is abandoned by her mother and blinded by a lightning strike. When her guardian is killed, she learns to wield a sword from a traveling ronin. As she develops into a master swordsman, her profession becomes that of a bounty hunter. Many test her sword and many die by her skills. She travels throughout the countryside to seek her mother and her revenge.

It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!

The film portrays a satirical view of today's heartless money-oriented society.

大映「妖怪」シリーズの第一弾。一つの怪談を語るたびにロウソクを消していく"百物語"から物語は始まる。悪徳商人・但馬屋が、長屋と氏神の社殿を取り壊して女郎宿を作る計画を立てた。長屋の住人は反対するが、悪代官と結託した但馬屋は強引に計画を進める。

When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.

“大魔神”シリーズ第２弾。戦国時代、名越一族と千草一族は、八雲の湖をはさんで暮らしていた。そして湖の中央にある神の島に祭られる武神像により、平和を守られていた。そんな中、千草家の跡取り息子十郎と名越家の娘早百合は結婚することとなっており、両家の長期にわたる幸福な関係は約束されているかにみえた。ところが彼らは思わぬ侵略にさらされることになる。隣国の領主御子柴弾正は、まず千草一族、続いて名越一族を倒し､その領地を手に入れる。さらに両家を守り続けてきた武神像を破壊し、湖に捨ててしまう｡そして邪魔になった十郎と早百合を処刑しようとする。絶体絶命と思ったその時、湖がまっぷたつに割れ、巨大な魔神が現れる……｡神ノ島関係のシーンは、京都撮影所内に大規模なセットを組んで撮影。湖面を二つに割って登場する大魔神が圧巻。

Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.

Wandering samurai Nemuri Kyoshiro (Raizô Ichikawa) finds a bulls-eye on his back after befriending the shogunate's tightfisted financial adviser, Asahina, who's earned the wrath of the shogun's self-indulgent daughter for cutting off her allowance. The enraged princess promptly hatches a scheme to have Asahina bumped off -- along with his protector, Kyoshiro. Shiho Fujimura also stars in this installment of the enormously popular film series.

Based on a novel by Tsutomu Mizukami, this haunting melodrama focuses on a young bamboo worker who takes his father's prostitute as his wife.

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

三上於菟吉の同名時代小説を、伊藤大輔と衣笠貞之助が脚色、和田夏十がシナリオ化し、市川崑がメガホンをとった。1935年版に主演した長谷川一夫が、再び中村雪之丞と闇太郎の二役を演じた。その他、山本富士子や若尾文子、市川雷蔵、勝新太郎など豪華な出演者が顔をそろえた。長谷川一夫300本記念作品。 　江戸で興行を張る上方歌舞伎の女形役者・中村雪之丞は、父を冤罪で陥れ自死に至らしめた土部三斎と広海屋の姿を認めた。三斎の娘の浪路は雪之丞に恋をし、雪之丞は彼女を利用して父の仇を討とうとする。江戸の飢饉に乗じて米を買い占めていた川口屋は、雪之丞にそそのかされた広海屋に邪魔され破産、広海屋に放火した。怒った広海屋は川口屋を絞め殺すが、誘拐しようとした浪路に刺されてしまう。

As winds of change sweep Japan, an honest man joins the Shinsenhumi out of admiration for its leader and because he wants to live and die as a samurai. However, as his involvement grows, reality and idealism come into deadly conflict.

Kaidan directed by Katsuhiko Tasaka.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

井原西鶴の代表作である同名の浮世草子を、市川雷蔵主演で映画化した作品。 但馬屋のひとり息子・世之介は、父親の心配をよそに放蕩三昧。修業先でも金にまかせて女狂い。ついに勘当された世之介は、頭を丸め放浪の旅に出るが、なおも懲りずに、京都随一とうたわれた夕霧太夫を口説き落とす始末。女体遍歴に命を賭けた男・世之介の華麗な一代記。

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.

増村保造、市川崑、吉村公三郎という、大映が誇る三大監督によるオムニバス映画。主演の三大女優による競演も話題に。第10回ベルリン国際映画祭コンペティション部門で上映。 「耳を噛みたがる女」銀座のキャバレーでホステスをしている紀美は、客から金を巻き上げては株に投資をしていた。紀美を落とせるか友人と賭けをしていた会社社長の跡取り息子の正巳は、彼女をドライブに誘い出すことに成功する。 「物を高く売りつける女」失踪した流行作家の三原は、湘南の海岸で白い肌の女と出会う。数日後、一軒の別荘の前で彼女と再会した三原は、売りに出しているというその家を、彼女ごと買い取ると申し出た。 「恋を忘れていた女」かつて売れっ子芸妓だったお三津は、京都で修学旅行専門の宿と、酒場とお茶屋を経営する働き者だ。亡くなった夫の妹が結婚資金を借りに訪れるが、財産を横取りされると思ったお三津は、彼女を帰してしまう。

One of Japanese folklore's most popular characters is brought to life on the silver screen in this terrific version of legendary Demon slaying Peach Boy.

Ishimatsu of Mori, from his early days leading up to his joining with Shimizu Jirocho, Boss of the Tokaido where he made his mark in history through his tragic end this is the story of a beloved and loyal henchman.

Period drama based on the novel by Saisei Murō.

It is brother against brother in this tale of love and betrayal within the famed Yagyu clan. In one of their earliest films together, superstars Ichikawa Raizo and Katsu Shintaro are magnificent as the two finest young swordsmen in the clan. As they vie for the hand of a beautiful woman their loyalty comes into question during an attack on their lord. When one of them masters the secret technique taught to him by Miyamoto Musashi, it leads to bloody violence that can tear the clan apart! Filled with superb swordplay this rare classic is not to be missed!

In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and declare their love for each other. Ishun orders his men to find them, and separate them to avoid public humiliation.

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

The Lord of Okazaki is killed by his brother-in-law. Although the Lord's widow bears a child, she is also killed. Then, a ghost cat begins stalking in the castle.

Okoyo, the mistress of Lord Arima, fears that she is being replaced by a younger woman named Otaki. In a fit of jealousy, she kills the younger girl. The dead woman's cat licks her blood and becomes a demon, seeking revenge on Okoyo

祇園ではちょっと名の知れた芸妓・美代春の許に、母を亡くしたばかりの少女・栄子が舞妓志願にやってきた。栄子の熱意に負けた美代春は、彼女を引き受けることに。やがて、1年間の舞妓修行を経て、初めて店に出た栄子。ほどなく大会社の御曹司・楠田に見初められる。一方、美代春も楠田の取引先である神崎から言い寄られるのだったが…。

戦国の世、貧しい陶工・源十郎が若狭姫という女性と知り合い、生活をともにするようになる。だが美しい若狭姫の正体は死霊であった。それを知った源十郎は若狭姫を捨てて故郷に逃げるが、彼女の怨念は執拗に追いすがる……。「雨月物語」をベースに、川口松太郎らが脚色。

During the war a man is bitten by a creature which looks like a cross between a bear and an ape in the jungle. Later he starts to transform to a monster like creature who kills with his claw like fingers.

Clothes of Deception initiated Yoshimura’s most characteristic vein. This geisha story is often described as a loose remake of Mizoguchi’s pre-war masterpiece Sisters of Gion (1936), but this is inexact. Whereas in Mizoguchi’s study of two sisters, both women had been geisha, in Yoshimura’s film only Kimicho (Kyo Machiko) is, while her sister works in the Kyoto tourist office. Juxtaposing a traditional Kyoto profession with a modern one, Yoshimura shows how life in the old capital was changing in the wake of wider transformations in Japanese society.