Keiko Koyanagi

Zorori, Ishishi, and Noshishi search for a meteor that sunk in the ocean. When under attack by octopi, Zorori accidentally launches his submarine into space and land on another planet.

A mountain man beheads his many wives to prove his love to an alluring woman he meets in an enchanted forest.

Two women are ferried to a small prison colony on the remote and barren prison island, where they and their fellow inmates are forced to perform perilous slave labor along the island’s treacherous cliffs, overseen by both an unforgiving sun and a crew of abusive male wardens. Meanwhile, the arrival of a newcomer among the island’s administrators, a disgraced policeman who is also the son of Nagasaki’s governor, creates dissension between the officials that, along with an untimely outbreak of bubonic plague on the island, ultimately sets the stage for a daring escape attempt on the part of the prisoners.

Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.

BLOOD END is one of the great unknown films from Japan's golden era of the late 1960's. Starring NAKADAI Tatsuya in one of his best roles, this is the story of the Mito Tengu Group who attempted to overthrow the Shogunate at the beginning of the Bakumatsu Period. Their political aspirations led to countless assassinations, as well as senseless killing of innocent people who got in their way. Sentaro (NAKADAI), a farmer who's been severely beaten for his outspoken defiance of the government and the high taxes during a time of famine is befriended by one of the group's leaders, KADA Gentaro (KATO Go) and joins up. This is the masterpiece of director YAMAMOTO Satsuo (who is best known for the first film in the NINJA, BAND OF ASSASSINS series) the erstwhile 'Leftist' director, who used his films to make his political points. Stunning fight choreography, and ultra-violence make this one of the bloodiest films of that era. A powerful film Rare classic!

The tragic, yet exciting story of the friendship between Nakayama Yasubei, a member of the 47 Ronin, and Tange Tenzen, a relative by marriage of the vile Lord Kira. Remake of Hakuôki AKA Samurai Vendetta (1959).

A young girl named Oichi is abandoned by her mother and blinded by a lightning strike. When her guardian is killed, she learns to wield a sword from a traveling ronin. As she develops into a master swordsman, her profession becomes that of a bounty hunter. Many test her sword and many die by her skills. She travels throughout the countryside to seek her mother and her revenge.

It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!

The film portrays a satirical view of today's heartless money-oriented society.

A greedy developer, in league with a corrupt Shrine Magistrate, brutally tries to drive people out of a tenement building and destroy the shrine in back. But he makes the fatal mistake of hosting a 100 Ghost Stories ceremony without the closing cleansing ritual, opening the door for the Yokai Monsters to punish the wicked.

When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.

The tyrannical Lord Danjo Mikoshiba covets the rich, fertile lands surrounding Lake Yakumo. During a memorial ceremony for the late Chigusa lord, Mikoshiba launches an attack, overthrowing the honorable Lord Juro. Just when all seems lost, Daimajin rises from Lake Yakumo to settle a score of his own.

Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.

Wandering samurai Nemuri Kyoshiro (Raizô Ichikawa) finds a bulls-eye on his back after befriending the shogunate's tightfisted financial adviser, Asahina, who's earned the wrath of the shogun's self-indulgent daughter for cutting off her allowance. The enraged princess promptly hatches a scheme to have Asahina bumped off -- along with his protector, Kyoshiro. Shiho Fujimura also stars in this installment of the enormously popular film series.

Based on a novel by Tsutomu Mizukami, this haunting melodrama focuses on a young bamboo worker who takes his father's prostitute as his wife.

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

Em uma excursão com seu grupo de teatro kabuku, Yukinojo, ator principal da trupe, acaba cruzando com os três homens que levaram seus pais ao suicídio, 20 anos antes. Yukinojo então trama sua vingança, primeiro seduzindo a filha de um deles e depois os levando à ruína.

As winds of change sweep Japan, an honest man joins the Shinsenhumi out of admiration for its leader and because he wants to live and die as a samurai. However, as his involvement grows, reality and idealism come into deadly conflict.

Kaidan directed by Katsuhiko Tasaka.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Fascinated with women from an early age, Yonosuke had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke's salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.

The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.

One of Japanese folklore's most popular characters is brought to life on the silver screen in this terrific version of legendary Demon slaying Peach Boy.

Ishimatsu of Mori, from his early days leading up to his joining with Shimizu Jirocho, Boss of the Tokaido where he made his mark in history through his tragic end this is the story of a beloved and loyal henchman.

Period drama based on the novel by Saisei Murō.

It is brother against brother in this tale of love and betrayal within the famed Yagyu clan. In one of their earliest films together, superstars Ichikawa Raizo and Katsu Shintaro are magnificent as the two finest young swordsmen in the clan. As they vie for the hand of a beautiful woman their loyalty comes into question during an attack on their lord. When one of them masters the secret technique taught to him by Miyamoto Musashi, it leads to bloody violence that can tear the clan apart! Filled with superb swordplay this rare classic is not to be missed!

No século XVII, esposa de um rico avarento vive insatisfeita e frustrada, e quando precisa de dinheiro para ajudar o irmão, recorre a um dos empregados do marido. Os dois são descobertos, mas o rapaz assume a culpa para salvá-la. Sabendo das traições do marido, ela decide arriscar tudo e fugir com o empregado.

Hatsuko Umabuchi é uma viúva proprietária de uma próspera e requintada casa de gueixas de Quioto. A filha, Yukiko, regressa de Tóquio, onde estudara música, depois de uma tentativa falhada de suicídio porque o noivo a deixou quando descobriu qual era a profissão da mãe. Hatsuko tem nesse momento uma ligação amorosa com um jovem médico, Matoba, responsável pela saúde das gueixas. O médico sente-se atraído por Yukiko, que inicialmente o rejeita por o associar ao negócio da mãe. No entanto, os seus sentimentos alteram-se gradualmente na ignorância de que ele é amante da mãe.

The Lord of Okazaki is killed by his brother-in-law. Although the Lord's widow bears a child, she is also killed. Then, a ghost cat begins stalking in the castle.

Okoyo, the mistress of Lord Arima, fears that she is being replaced by a younger woman named Otaki. In a fit of jealousy, she kills the younger girl. The dead woman's cat licks her blood and becomes a demon, seeking revenge on Okoyo

In the post-war Gion district of Kyoto, the geisha Miyoharu agrees to apprentice the 16 year-old Eiko, whose mother was a former geisha who had just died. After a year of training they have to find a large sum of money before Eiko can debut. Miyoharu borrows the money from the tea-house owner, Okimi, who in turn obtains the money from the businessman Kusuda. Kusuda fancies Eiko himself and wants to give Miyoharu to Kanzaki in order to close a large business deal. However both geishas have minds of their own and, going against tradition, want to be able to say no to clients.

No Japão do século 16, os camponeses Genjuro e Tobei vendem as suas panelas de barro para um grupo de soldados numa vila próxima, desafiando a advertência de um sábio local contra a tentativa de lucrar com a guerra. A busca de Genjuro por riquezas e a misteriosa Lady Wakasa, assim como o desejo de Tobei de se tornar um samurai, correm o risco de destruir tanto a si quanto as suas esposas, Miyagi e Ohama.

During the war a man is bitten by a creature which looks like a cross between a bear and an ape in the jungle. Later he starts to transform to a monster like creature who kills with his claw like fingers.

Clothes of Deception initiated Yoshimura’s most characteristic vein. This geisha story is often described as a loose remake of Mizoguchi’s pre-war masterpiece Sisters of Gion (1936), but this is inexact. Whereas in Mizoguchi’s study of two sisters, both women had been geisha, in Yoshimura’s film only Kimicho (Kyo Machiko) is, while her sister works in the Kyoto tourist office. Juxtaposing a traditional Kyoto profession with a modern one, Yoshimura shows how life in the old capital was changing in the wake of wider transformations in Japanese society.