Kanae Kobayashi

昭和11年。料亭の女中定は店の主人に心惹かれ、情事を重ねるようになる。その情事が男の妻に知れてしまい、二人は駆け落ちを決行する。快楽におぼれる日々を重ねるうちに定は男を永遠に手放したくないと思うようになり、ついには男を自分だけのものにするため首を絞めて殺害し、さらには男の陰部を切り取ってしまうのだった。

山間の集落、広い敷地のある一柳家は江戸時代から続く旧家である。事件は長男の賢蔵と久保克子の婚礼の日、恙なく終わった式後の未明に起きた。離れに休んだ若夫婦の部屋から、克子の悲鳴があがったのだ。駈け付けた家族が見たものは、日本刀で斬りつけられた克子と側に倒れる血まみれの賢蔵の姿であった。やがて、この「本陣殺人事件」を担当した磯川警部により依頼を受けた私立探偵・金田一耕助がやって来る。複雑怪奇な人間模様に絡められたこの事件を、果たして金田一は解決することができるのか。

昭和11年に起こった2・26事件の理論的指導者として処刑された、北一輝の半生と人間ドラマを描く吉田喜重監督の問題作。失敗に終わった5・15クーデターに参加していた無名の下級兵士は右翼思想家の北に出会う。北は今行われようとしている計画の全貌を彼に打ち明けるが…。

A Buddhist priest rescues a homeless girl and brings her into his temple's household. Soon she becomes an essential part of the place. One night she is raped by a young man who then becomes her lover. The priest happens on them one night as they make love before the temple shrine, and he becomes erotically obsessed.

In this first film of the Lone Wolf and Cub series, adapted from the manga by Kazuo Koike, we are told the story of the Lone Wolf and Cub's origin. Ogami Itto, the official Shogunate executioner, has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.

Shocking scenes are revealed in the Nagasaki Women's prison.

Zatoichi is a blind massage therapist and swordsman who finds out that something troubling is taking place on the outskirts of town. After discovering who the guilty parties are -- an accomplished Chinese martial artist named Wang Kang and his youthful attendant -- Zatoichi finds them and discovers that the pair's mixed up with a dangerous bunch of terrorist samurai who murdered the boy's parents. Now, Zatoichi must step in to save the day.

Zatoichi is mentored by the blind leader of a secret organization as he contends with both the Yakuza and a jealous husband.

One murky night, Soetsu, a blind acupuncturist and money lender, calls on Shinzaemon Fukami, a Hatamoto samurai, to collect some money. But Fukami is too busy having an affair with a maid and curtly tells Soetsu to ask Sawano, his wife, for the money. As they have no money, Sawano interprets her husband's words as telling her to give herself to Soetsu in lieu of payment. However, Fukami catches them in the act and kills them both. Snatching up Soetsu's money bag with 30 ryo in it, he then asks two ruffians, to sink the bodies in a marsh. From what follows, it seems as if the spirits of Soetsu and Sawano are still hovering on earth in anguish and anger. For soon afterwards, Fukami is found dead by his own hand and Osono, Soetsu's younger daughter, suddenly disappears from home.

Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.

BLOOD END is one of the great unknown films from Japan's golden era of the late 1960's. Starring NAKADAI Tatsuya in one of his best roles, this is the story of the Mito Tengu Group who attempted to overthrow the Shogunate at the beginning of the Bakumatsu Period. Their political aspirations led to countless assassinations, as well as senseless killing of innocent people who got in their way. Sentaro (NAKADAI), a farmer who's been severely beaten for his outspoken defiance of the government and the high taxes during a time of famine is befriended by one of the group's leaders, KADA Gentaro (KATO Go) and joins up. This is the masterpiece of director YAMAMOTO Satsuo (who is best known for the first film in the NINJA, BAND OF ASSASSINS series) the erstwhile 'Leftist' director, who used his films to make his political points. Stunning fight choreography, and ultra-violence make this one of the bloodiest films of that era. A powerful film Rare classic!

シリーズの第17作で、後に「ブラインド・フューリー」としてアメリカでリメイクされた。座頭市は、旅先で出会った瀕死の女性からその幼い息子を彼女の夫の庄吉に届けるよう頼まれる。彼女の死後、市は少年と目的地へ。途中、謎の男、赤塚多十郎と出会うが、その素性は公儀隠密だった。悪代官やヤクザに監禁された庄吉を救うべく、立ち上がる市だったが、友情で結ばれかけた赤塚と、ある事情から一対一の対決に迫られることに...。

When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.

Third film of the yoidore hakase series

盲目の渡世人・市は、これまで自分が斬った人々の冥福を祈るべく、札所めぐりのため四国に渡る。だがそこでも栄五郎という男性を斬ってしまい、後悔の念に悩む。直後、栄五郎の妹、お吉に斬りつけられながら彼女に介抱された市は、栄五郎が悪い地主に命じられて自分を襲ったことを知る。お吉の誤解を解こうと決意した市は、彼女の土地を狙う地主一味を単身、一網打尽にしようとする。

A naively honorable samurai (played by Raizo) comes to the bitter realization that his devotion to moral samurai principles makes him an oddity among his peers, and a very vulnerable oddity in consequence. He takes the blame for the misdeeds of others, with the understanding that he will be exiled for one year and restored to the clan's good graces after the political situation dies down. As betrayal begins to heap upon betrayal, he realizes he'll have to live out his life as a master-less ronin, if not hunted down and killed.

女子大の学生、佐藤ノエミのあだ名はキャンパス一一〇番。キャンパスとは校庭の意味で、事あるところにいつもパトカーのように現われて鮮やかに事件を解決するからである。粋で、おしゃれで、冒険好き、適当に正義派で人情家、気はやさしくて、しかもおじいちちゃんの仕込みで合気道二段の達人。相棒の重タンクのような松子と組んで、女子大生亡国論に大フンガイのあげく、かくしテープレコーダーをハンドバックに、手あたり次第に体験的反論を集めに歩く。しかもそれが趣味と実益をかねたボーイハントのアバンチュールにもなるという。最初にハントされた西村君は、人生に理想と情熱を持ち、電子計算機のようにテキパキと正確に状況判断をし、心もち左翼的な生活態度を持ち、ややぶじょう者でもある。 青春の息吹にむせる、すこぶる生きのいい現代娘のスカッと胸のすく夢と冒険の行状記である！

Zatoichi comes upon a dying man who asks him to give a bag of money to "Taichi". Zatoichi has no idea who this is but when he comes upon a small town harassed by gangsters, he finds that "Taichi" was the man's young son. Along his travels he also met a blind monk who makes Zatoichi question his murderous lifestyle. In trying to help the town, Zatoichi kills some gangsters and becomes a hero to the boy. He must make a choice of whether to use non-violence and set a good example, or violence and set the boy on the wrong path in life.

The masked daughter of the Shogun wants to kill a samurai who has seen her scarred face. She sends waves of ninja warriors to kill the samurai and plots diabolical schemes / ambushes without much success.

Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.

Sixth film in the series. A little boy who just wants to be a carpenter is at the center of a plot that might topple -- or save -- a mighty Clan, and while the swords of some angry samurai may not cause Kyoshiro much trouble, the deadly wiles of two women may be more difficult to survive!

怪盗鼠小僧は大江戸の夜の闇をぬっての必死の探索を尻目に、大名や富商を襲っては奪った金銭を貧乏人にばらまいて、庶民の英雄として人気を集めていた。ある夜鼠小僧は浪人小谷新九郎に救われた。そして二人はいつまでたっても浮びあがれない世の中に絶望して、貧乏人のために尽そうと深い友情で結ばれた。

A wandering gambler strolls into a village searching for his father's killer, unaware that the village is run by criminals who sell the poorest peasants into slavery.

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

人気時代劇シリーズ第3作目。故郷に帰って来た市は、彼の剣の師匠である水戸浪士の弥十郎（河津清三郎）の妹・弥生（坪内ミキ子）に求愛されるが、弥十郎はそれを許さない。やがて市は、金に目がくらんで悪事に手を染めていく彼と対決せざるをえなくなっていく。

勝新太郎が盲目の居合抜きの達人・座頭市を演じ、彼の代表作となった人気シリーズの第1作。博打のツボ振りと居合抜きの達人である盲目の男・座頭市は、下総飯岡の貸元・助五郎の食客となる。市は肺を患う浪人・平手造酒と知り合い友情の念を抱くが、平手は助五郎と対立する笹川一家の食客だった。やがて市と平手は、運命的な対決へと導かれていく。

井原西鶴の代表作である同名の浮世草子を、市川雷蔵主演で映画化した作品。 但馬屋のひとり息子・世之介は、父親の心配をよそに放蕩三昧。修業先でも金にまかせて女狂い。ついに勘当された世之介は、頭を丸め放浪の旅に出るが、なおも懲りずに、京都随一とうたわれた夕霧太夫を口説き落とす始末。女体遍歴に命を賭けた男・世之介の華麗な一代記。

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.

Film directed by Kenji Misumi.

The film won 1959 Blue Ribbon Awards for best actor Raizo Ichikawa and for best cinematography Kazuo Miyagawa. The film also won 1959 Kinema Junpo Award for best actor Raizo Ichikawa.

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

It is brother against brother in this tale of love and betrayal within the famed Yagyu clan. In one of their earliest films together, superstars Ichikawa Raizo and Katsu Shintaro are magnificent as the two finest young swordsmen in the clan. As they vie for the hand of a beautiful woman their loyalty comes into question during an attack on their lord. When one of them masters the secret technique taught to him by Miyamoto Musashi, it leads to bloody violence that can tear the clan apart! Filled with superb swordplay this rare classic is not to be missed!

In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and declare their love for each other. Ishun orders his men to find them, and separate them to avoid public humiliation.

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

Okoyo, the mistress of Lord Arima, fears that she is being replaced by a younger woman named Otaki. In a fit of jealousy, she kills the younger girl. The dead woman's cat licks her blood and becomes a demon, seeking revenge on Okoyo

祇園ではちょっと名の知れた芸妓・美代春の許に、母を亡くしたばかりの少女・栄子が舞妓志願にやってきた。栄子の熱意に負けた美代春は、彼女を引き受けることに。やがて、1年間の舞妓修行を経て、初めて店に出た栄子。ほどなく大会社の御曹司・楠田に見初められる。一方、美代春も楠田の取引先である神崎から言い寄られるのだったが…。

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

A 1946 Japanese film directed by Keigo Kimura.

Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy's parents.