Esther Ortega

El Televisor narrates how Marcos, the only neighbor without an alarm, finally ends up installing a protection system in his chalet. Far from feeling safer, he soon becomes obsessed with the idea that someone is stalking him, and he connects the signal from the surveillance cameras to the TV in the living room. Progressively, the images of the closed circuit supplant the programs and the movies, until becoming the only thing that is reproduced on the screen. His wife and his children helplessly witness the man's madness... but maybe "something" out there is really threatening the family. Something visible only between the pixels of the TV.

Aspiring writer Tommaso makes a living by penning the self-help column of a women's magazine. One day he receives a letter from a woman asking for advice on how to break up with her boyfriend: it is none other than Zoe, his girlfriend of ten years—unaware of his pseudonymous side job. Tommaso can't believe his eyes and answers her in private under his alias to learn more, discovering cracks in their relationship he didn't thought existed.

Alex doesn't have much work to do at his father's video store. But when the likewise film-loving Fátima enters the shop, his boredom is suddenly over.

An industrial warehouse is turned into a stage where a group of ordinary professionals are assembled daily to perform different tasks with apparent normality. Meanwhile, from the darkness of the auditorium, dozens of visitors observe the "wonderful" work show.

Begoña, Pelayo and María are saying a last goodbye to their mother. Confusion arises when they discover she wanted to be buried in a very special outfit.

On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where a hundred unarmed people between protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next would be called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."

All families have secrets and lies, and at some point everyone has thought of confessing everything. But when? How? One by one? Suddenly at a family reunion? Today, on Christmas Eve, it doesn't seem to be the best moment. On Christmas Eve you must enjoy yourself, because Santa Claus is coming, because children are there. Tonight, the secrets are whispered and lies are floating in the air. But who cares about another small lie, it will be the last one. Tomorrow, yes, tomorrow we will tell her everything. So, grandma, Merry Christmas.

Once upon a time: a return, a town, a dead person, a family ... and a story.

A portrait of the bloody dynasty that spawned a pope, Alexander VI, as well as the role model for Machiavelli's “The Prince,” his son Cesare Borgia, and a legend of femme duplicity, daughter Lucrezia Borgia.

Three friends at a table with a couple of bottles of liquor. One of them introduces the notion of a "pony", an event in your early childhood that is an embarrassment and that marks you for the rest of your life. From then on, revelations about each are made by the other two in an effort to encover such ponys. A more virulent form of the game of telling a secret about yourself.

Dante, a pony express in serious debt, meets Nina, a hostess stuck in Torino for the night.

Cristina is a young literature student who works at night in a bar, Rosa is a brilliant executive in his thirties, and Anna is married and has one son. All three are sisters, and every one thinks her life is worthwhile and that their sisters have taken the wrong way. But it is time to recognize their dissatisfaction, and perhaps they are needed more than they are willing to admit ...