Esther Ortega

Esther Ortega

출생 : 1974-01-01,

프로필 사진

Esther Ortega

참여 작품

El televisor
Sara
El Televisor narrates how Marcos, the only neighbor without an alarm, finally ends up installing a protection system in his chalet. Far from feeling safer, he soon becomes obsessed with the idea that someone is stalking him, and he connects the signal from the surveillance cameras to the TV in the living room. Progressively, the images of the closed circuit supplant the programs and the movies, until becoming the only thing that is reproduced on the screen. His wife and his children helplessly witness the man's madness... but maybe "something" out there is really threatening the family. Something visible only between the pixels of the TV.
Breaking Up in Rome
Esther
Aspiring writer Tommaso makes a living by penning the self-help column of a women's magazine. One day he receives a letter from a woman asking for advice on how to break up with her boyfriend: it is none other than Zoe, his girlfriend of ten years—unaware of his pseudonymous side job. Tommaso can't believe his eyes and answers her in private under his alias to learn more, discovering cracks in their relationship he didn't thought existed.
Ficciones
Amiga Funeral
Alex doesn't have much work to do at his father's video store. But when the likewise film-loving Fátima enters the shop, his boredom is suddenly over.
The Invisible Hand
Costurera
An industrial warehouse is turned into a stage where a group of ordinary professionals are assembled daily to perform different tasks with apparent normality. Meanwhile, from the darkness of the auditorium, dozens of visitors observe the "wonderful" work show.
Amen
Begoña, Pelayo and María are saying a last goodbye to their mother. Confusion arises when they discover she wanted to be buried in a very special outfit.
Por no morir nada más vernos
Clara
디아즈: 이 피를 지우지 말라
Ines
2001년 제노바 G8 정상회담 마지막 날 자정 직전, 300명이 넘는 경찰들이 디아즈 학교를 급습하여 블랙 블록 시위대를 찾고 있었다. 학교 안에는 90명의 활동가들이 있었으며 대게는 유럽에서 온 학생들이었고 몇 명은 해외 기자들이었으며 이들은 그날 저녁 학교 바닥에서 잠 잘 준비를 하고 있었다. 경찰이 들이닥치자 젊은 시위자들은 손을 들고 항복했다. 하지만 시위대의 항복에도 경찰들은 남녀노소 가리지 않고 무차별적인 폭행을 하기 시작하는데…
What the Eye Doesn't See
Esther
All families have secrets and lies, and at some point everyone has thought of confessing everything. But when? How? One by one? Suddenly at a family reunion? Today, on Christmas Eve, it doesn't seem to be the best moment. On Christmas Eve you must enjoy yourself, because Santa Claus is coming, because children are there. Tonight, the secrets are whispered and lies are floating in the air. But who cares about another small lie, it will be the last one. Tomorrow, yes, tomorrow we will tell her everything. So, grandma, Merry Christmas.
A tiempo
Lala
Sister
Once upon a time: a return, a town, a dead person, a family ... and a story.
보르히아:역사상 가장 타락한 교황
Isabella
체사레 보르히아가 성전을 위해 교황의 축복을 받고 출정하지만 이는 교황의 음모이며 그가 감옥에 갇히는 장면에서 시작된다. 곧, 발렌시아의 추기경 로드리고 보르히아가 콘클라베에서 교황으로 선출된다. 이때부터 발렌시아의 귀족 보르히아가의 영욕은 시작된다. 교황이 된 알렉한드르 6세는 수단과 방법을 가리지 않고 숙적을 처단한다. 그리고 자신의 숙소에 여자를 끌어들이고, 자신의 아들들을 추기경과 공작으로 만들며, 딸을 여기저기 시집 보내면서 정략 결혼을 일삼는다. 그리고 자신의 목적이 달성되면 자신의 사위를 죽이는 악행을 통해 절대권력을 만들어 간다. 하지만, 형제들간의 반목과 끊임없이 계속되는 근친상간으로 이탈리아를 지배하겠다는 보르히아 가문의 야심찬 계획에는 조금씩 금이 가기 시작한다. 결국, 교황 알렉산드르 6세는 독살을 당하고 그렇게 보르히아 가문도 쓰러지기 시작한다.
Ponys
Esther
Three friends at a table with a couple of bottles of liquor. One of them introduces the notion of a "pony", an event in your early childhood that is an embarrassment and that marks you for the rest of your life. From then on, revelations about each are made by the other two in an effort to encover such ponys. A more virulent form of the game of telling a secret about yourself.
A/R Andata + Ritorno
Celia
Dante, a pony express in serious debt, meets Nina, a hostess stuck in Torino for the night.
Love and Other Curiosities
Pili
Cristina is a young literature student who works at night in a bar, Rosa is a brilliant executive in his thirties, and Anna is married and has one son. All three are sisters, and every one thinks her life is worthwhile and that their sisters have taken the wrong way. But it is time to recognize their dissatisfaction, and perhaps they are needed more than they are willing to admit ...