Set Decoration
フランス映画界の名匠フランソワ・オゾンが、若かりし日に読み影響を受けたというエイダン・チェンバーズの小説「おれの墓で踊れ」を映画化し、16歳と18歳の少年の人生を変えた、ひと夏の初恋を描く。セーリングを楽しもうとヨットで沖に出た16歳のアレックスは突然の嵐に見舞われ転覆し、18歳のダヴィドに救出される。2人は友情を深め、それはやがて恋愛感情へと発展し、アレックスにとっては、それは初めての恋となった。そんな2人は、ダヴィドの提案で「どちらかが先に死んだら、残された方はその墓の上で踊る」という誓いを立てるが、ダヴィドの不慮の事故により、2人の時間は終わりを迎える。生きる希望を失ったアレックスを突き動かしたのは、ダヴィドとあの夜に交わした誓いだった。主演は、オゾン監督がオーディションで見いだしたフェリックス・ルフェーブルとバンジャマン・ボワザン。第73回カンヌ国際映画祭オフィシャルセレクション選出作品。
Set Decoration
When a teenager suddenly disappears without a trace, the case is assigned to an alcoholic police officer who maintains a complicated relationship with his own troubled teenage son, suspected of drug trafficking.
Production Design
Four childhood friends are reunited at a wedding in Rio. But when they accidentally kill a young man during a party that gets out of hand, they are forced to flee the city in a crazy adventure.
Set Decoration
26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 in Paris, he meets Friedrich Engels, an industrialist’s son, who has been investigating the sordid birth of the British working class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx’s new vision of the world. Together, between censorship and the police’s repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.
Production Design
A penniless Argentine male escort meets a solitary, lonely Belgian baker who wants to help him leave the world of prostitution, explores intimate gay relationship.
Production Design
Written by Roel Mondelaers and Hans Van Nuffel, Plan Bart is a romantic comedy about competing desires -- sacrificing one's childhood dreams for the responsibilities of adulthood, air guitar championships for diapers and bottles, 'having sex' with 'making love.'
Co-Art Director
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
