Joana Pimenta

略歴

JOANA PIMENTA is a filmmaker from Lisbon, Portugal, currently living and working between the United States and Brazil. Her short film The Figures Carved into the Knife by the Sap of the Banana Trees received the Competition Award at Indielisboa ’14, where it premiered, the Tom Berman Award for Most Promising Filmmaker at the Ann Arbor Film Festival, and has been screened at the Toronto International Film Festival, the New York Film Festival, Jihlava, Mar del Plata, Ambulante, Edinburgh, Videoex, Taipei, among other venues. Her video installation work has been recently presented at the Festival Temps d'Images, the Fundacion Botin, Galeria da Boavista, Carpenter Center for the Visual Arts, and The Pipe Factory, among others. She works and teaches in the Department of Visual and Environmental Studies at Harvard University and in the BFA program in Film at Rutgers University, and is a fellow at the Film Study Center and the Sensory Ethnography Lab.

参加作品

Dry Ground Burning
Dry Ground Burning
Writer
In the Sol Nascente favela on the edge of Brasília, a gang of women hijacks a pipeline to sell gasoline to the community.
Dry Ground Burning
Dry Ground Burning
Director
In the Sol Nascente favela on the edge of Brasília, a gang of women hijacks a pipeline to sell gasoline to the community.
Dreaming In The Dark
Dreaming In The Dark
Director
For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?
Once There Was Brasília
Once There Was Brasília
Director of Photography
In 1959, disgraced intergalactic agent WA4 receives a mission: to come to the Earth and kill the president Juscelino Kubitschek on the day of Brasília's inauguration. But his ship is lost in time and lands in 2016 in Ceilândia — a Black suburb of Brasilia — on the verge of Dilma Rousseff's impeachment.
An Aviation Field
An Aviation Field
Editor
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
An Aviation Field
An Aviation Field
Cinematography
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
An Aviation Field
An Aviation Field
Writer
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
An Aviation Field
An Aviation Field
Director
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
The Figures Carved into the Knife By the Sap of the Banana Trees
The Figures Carved into the Knife By the Sap of the Banana Trees
Director
The rapid turning of a light draws a circle. In the space bound by its line unravels an archive of postcards sent between the island of Madeira and the former Portuguese colony of Mozambique. The figures carved into the Knife by the Sap of the Banana Trees circulates between a fictional colonial memory, and science-fiction.