Joana Pimenta

약력

JOANA PIMENTA is a filmmaker from Lisbon, Portugal, currently living and working between the United States and Brazil. Her short film The Figures Carved into the Knife by the Sap of the Banana Trees received the Competition Award at Indielisboa ’14, where it premiered, the Tom Berman Award for Most Promising Filmmaker at the Ann Arbor Film Festival, and has been screened at the Toronto International Film Festival, the New York Film Festival, Jihlava, Mar del Plata, Ambulante, Edinburgh, Videoex, Taipei, among other venues. Her video installation work has been recently presented at the Festival Temps d'Images, the Fundacion Botin, Galeria da Boavista, Carpenter Center for the Visual Arts, and The Pipe Factory, among others. She works and teaches in the Department of Visual and Environmental Studies at Harvard University and in the BFA program in Film at Rutgers University, and is a fellow at the Film Study Center and the Sensory Ethnography Lab.

참여 작품

불타는 마른 땅
불타는 마른 땅
Writer
레아는 석유를 불법 유통하는 회사, 케브라다스에 관한 이야기를 전한다. 브라질리아 연방 직할구의 여성 교도소 콜메이아의 벽을 통해 이야기가 울려 퍼진다.
불타는 마른 땅
불타는 마른 땅
Director
레아는 석유를 불법 유통하는 회사, 케브라다스에 관한 이야기를 전한다. 브라질리아 연방 직할구의 여성 교도소 콜메이아의 벽을 통해 이야기가 울려 퍼진다.
Dreaming In The Dark
Dreaming In The Dark
Director
For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?
Once There Was Brasília
Once There Was Brasília
Director of Photography
In 1959, disgraced intergalactic agent WA4 receives a mission: to come to the Earth and kill the president Juscelino Kubitschek on the day of Brasília's inauguration. But his ship is lost in time and lands in 2016 in Ceilândia — a Black suburb of Brasilia — on the verge of Dilma Rousseff's impeachment.
An Aviation Field
An Aviation Field
Editor
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
An Aviation Field
An Aviation Field
Cinematography
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
An Aviation Field
An Aviation Field
Writer
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
An Aviation Field
An Aviation Field
Director
Moving and mysterious, Joana Pimenta’s An Aviation Field juxtaposes the natural and the manmade as it links the great utopian modernist project of Brasilia to the volcanic crater in Fogo, Cape Verde, and offers speculative futures for a troubling past.
The Figures Carved into the Knife By the Sap of the Banana Trees
The Figures Carved into the Knife By the Sap of the Banana Trees
Director
The rapid turning of a light draws a circle. In the space bound by its line unravels an archive of postcards sent between the island of Madeira and the former Portuguese colony of Mozambique. The figures carved into the Knife by the Sap of the Banana Trees circulates between a fictional colonial memory, and science-fiction.