Co-Producer
モデル・人気インフルエンサーのヤヤと、男性モデルカールのカップルは、招待を受け豪華客船クルーズの旅に。リッチでクセモノだらけな乗客がバケーションを満喫し、高額チップのためならどんな望みでも叶える客室乗務員が笑顔を振りまくゴージャスな世界。しかしある夜、船が難破。そのまま海賊に襲われ、彼らは無人島に流れ着く。食べ物も水もSNSもない極限状態に追い込まれる中、ヒエラルキーの頂点に立ったのは、サバイバル能力抜群な船のトイレ清掃婦だった――。
Executive Producer
In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.
Producer
The philosopher Edmund Burke has fled London, debt collectors and a ramping midlife crisis to go on a grand tour of the Alps to rewrite his book on the Sublime in this 18th-century road movie.
Executive Producer
幸せになる香りを放つという新種の植物がもたらす不安を描き、主演のエミリー・ビーチャムが第72回カンヌ国際映画祭で主演女優賞を受賞した異色のスリラー。幸せになる香りを放つ新種の植物「リトル・ジョー」を開発した研究者でシングルマザーのアリスは、ワーカホリックで息子のジョーときちんと向き合えていないことに罪悪感を抱きながら、日々の研究にいそしんでいた。息子のジョーへの贈り物として、彼女にとってもう1人の息子であるリトル・ジョーを自宅に持ち帰る。しかし、リトル・ジョーの香りを嗅いだジョーが奇妙な行動をとり、花粉を吸い込んだアリスの助手クリスもいつもとは違う様子を見せ始める。監督はミヒャエル・ハネケの助手を務め、「ルルドの泉で」で注目された気鋭の女性監督ジェシカ・ハウスナー。
Co-Producer
A historic drama with musical Bollywood scenes. Kabul in the early 90s. Soviet values rule the country. Women can wear miniskirts, children can go to school and people can go to the cinema, concerts as well as universities. Life in Afghanistan is similar to life in the Western world. 14 years old Qodrat sells cinema tickets on the black market in the streets of Kabul. After selling a ticket to a secret police officer by mistake, he ends up at the Soviet orphanage, where he fakes his identity at the registration, in hope of getting more power. Everyday life for Qodrat is about friendships, falling in love, doing naughty things and going on adventures – just like it is for children in other parts of the world. However, behind the safe walls of the orphanage the world they once knew is drastically changing as the Mujahideens start the civil war.
Producer
The swimming pool has played an important role throughout film history – most often as a romping ground for the sophisticated and hedonistic Dolce Vita. But it can be so much more, even sinister, as in Sunset Boulevard. In Leyenda dorada a rather unglamorous swimming pool of diminished charm forms the focal point of the story. A lazy summer’s day in the Spanish village of Montánchez, and people of all ages enjoy themselves at the outdoor pool. It is an almost utopian depiction of community, under the lofty, watchful gaze of Our Lady of Consolation. While conflicts, aggression, rivalries and animosities have a siesta, the villagers take a well-deserved break. Formally, the film draws on the tradition of New Objectivity. But unlike Robert Siodmak’s Menschen am Sonntag (1930) and its lido sequence, this is a wee summer fairy tale.
Co-Producer
高級リゾートにバカンスにやってきたスウェーデン人一家。普段仕事ばかりのトマスは家族サービスに精を出すが、ハプニングから家庭崩壊の危機を迎えてしまう。北欧の新星、リューベン・オストルンド監督の傑作ドラマ。
