James Fredburg

マンハッタン、タイムズスクエア。自称一流のパブリシスト、スチュは、今日もアシスタントを従え、携帯電話からクライアントや業界に口八丁でビジネスをまとめ上げている。そんな彼はアシスタントと別れた後、1台の電話ボックスに立ち寄り、結婚指輪を外してクライアントの新進女優パメラに電話を掛けた。スチュは彼女をモノにしようとしていたが、上手くいかずに受話器を置く。その刹那、今使っていた公衆電話のベルが鳴り、思わず受話器を取ってしまうスチュ。すると電話の主は、“電話を切ったら殺す”と脅迫してきたのだった…。

自ら逮捕した連続殺人犯の死刑に立ち会った刑事ジョン。しかし、同じ手口の殺人事件がまた起こった時、死刑執行は悪夢のプロローグに過ぎなかったことを知った……。上質なサスペンス・スリラー。

In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.

To debunk the Amityville house's infamous reputation and take advantage of a rock-bottom asking price, skeptical journalist John Baxter buys the place and settles in to write his first novel. But as soon as the ink on the deed has dried, people who have come into contact with John and the house begin to meet with shocking fates. Is it all just coincidence, or is the house really the gateway to hell?

A young divorcee struggles to provide for her young son and make a new life for herself in the backstage jungle of a TV talk show, becoming fast friends with its head writer whose job it is to see that its host, a woman-chasing egomaniac, stays at the top of the ratings.