Chris Damon

Chris Damon

プロフィール写真

Chris Damon

参加作品

Weaponized
Chris Downey
A damaged homicide detective (Johnny Messner) must prevent a grieving father from unleashing a "robotic virus" that he believes will destroy the terrorist cell that murdered his son, but at an unimaginable cost.
Track
Younger Brother
A modern take on Aesop's Fable "The Frog and The Scorpion".
The Men Next Door
Philip
This is a fast-paced comedy about a 40-year-old gay man who finds himself dating two equally lovable men - a secure 50-year-old who came out later in life, and an adventurous 30-year-old who wasn't looking for a relationship. What he doesn't find out right away is that the two men are, in fact, father and son. And as they say, wackiness ensues.
Last Call
3D
A woman must solve a riddle over the phone to save a stranger's life. In the middle of the night, Kristen is awakened by a phone call from a stranger asking for her help. She is given half an hour to solve a riddle that could ultimately save the stranger's life. Skeptical at first, she reluctantly plays along, but as the countdown begins, it becomes dangerously clear that this is not a game...
Bare
When a young gay man has unprotected sex without revealing his HIV status, guilt propels him down a rabbit hole of memory, regret, and surreal manifestations of his past.
Blue Briefs
Nicolas (segment: "Requited") (as Christopher Schram)
A collection of six gay-themed short films about relationships and the pain of love, including: REQUITED (directed by Sal Bardo), BOYS LIKE YOU (directed by Daniel Armando), WE ONCE WERE TIDE (directed by Jason Bradbury), REVOLUTION (directed by Abdi Nazemian), THE IN-BETWEEN (directed by Alain Hain) and FROZEN ROADS (directed by Mark Pariselli).
Requited
Nicolas
Nicolas, a young man in his mid 20s, struggles to decide whether or not to go to the wedding of his best friend from high school, Aaron, who he's always been quietly in love with. The two had a falling out years earlier after Nicolas inexplicably kissed Aaron's girlfriend. Nicolas clings to an idealized image of his former friend, unconsciously sabotaging his own happiness in the process. The film is a realistic slice-of-life that poses the question "How do you get over something you never had?"