Chris Downey
2017년 7월 4일, 국방부 건물 펜타곤이 테러리스트의 공격을 받아 무고한 인명이 희생된다. 그로부터 1년 후, 시내 호텔 로비에서 총기 난사 사건이 발생하고 사건 용의자로 이라크 파병에서 제대한 ‘잭 사이먼’이 현장에서 체포된다. 총을 쏜 기억이 없다고 주장하던 잭이 돌연 자신의 죄를 인정하며 이상한 행동을 보이자, 사건을 맡은 ‘미치’ 형사는 잭의 진술이 앞뒤가 맞지 않다며 사건에 의심을 품지만 미치의 상사는 다른 기관에 사건을 넘기고 수사를 접으라고 한다. 한편 미치는 사건에 대한 의문을 풀어 주겠다는 ‘피터슨’ 교수의 전화를 받고 비밀리에 그를 만나 모든 답이 담겨있는 파일을 건네 받게 되는데...
Younger Brother
A modern take on Aesop's Fable "The Frog and The Scorpion".
Philip
This is a fast-paced comedy about a 40-year-old gay man who finds himself dating two equally lovable men - a secure 50-year-old who came out later in life, and an adventurous 30-year-old who wasn't looking for a relationship. What he doesn't find out right away is that the two men are, in fact, father and son. And as they say, wackiness ensues.
3D
A woman must solve a riddle over the phone to save a stranger's life. In the middle of the night, Kristen is awakened by a phone call from a stranger asking for her help. She is given half an hour to solve a riddle that could ultimately save the stranger's life. Skeptical at first, she reluctantly plays along, but as the countdown begins, it becomes dangerously clear that this is not a game...
When a young gay man has unprotected sex without revealing his HIV status, guilt propels him down a rabbit hole of memory, regret, and surreal manifestations of his past.
Nicolas (segment: "Requited") (as Christopher Schram)
A collection of six gay-themed short films about relationships and the pain of love, including: REQUITED (directed by Sal Bardo), BOYS LIKE YOU (directed by Daniel Armando), WE ONCE WERE TIDE (directed by Jason Bradbury), REVOLUTION (directed by Abdi Nazemian), THE IN-BETWEEN (directed by Alain Hain) and FROZEN ROADS (directed by Mark Pariselli).
Nicolas
Nicolas, a young man in his mid 20s, struggles to decide whether or not to go to the wedding of his best friend from high school, Aaron, who he's always been quietly in love with. The two had a falling out years earlier after Nicolas inexplicably kissed Aaron's girlfriend. Nicolas clings to an idealized image of his former friend, unconsciously sabotaging his own happiness in the process. The film is a realistic slice-of-life that poses the question "How do you get over something you never had?"
