Fina Torres
出生 : 1951-10-09, Caracas, Venezuela
略歴
Fina Torres is a film director. She became known by winning la Caméra d'Or award at the 1985 Cannes Film Festival with her directorial debut film, Oriana.
She studied design, photography and journalism in Venezuela and later on film at the Institut des hautes études cinématographiques in Paris. She now lives in Mexico and the United States. She continues to work with film projects related to Latin America as well as giving workshops in direction and script writing in Venezuela.
Her notable works include Mécaniques célestes (Celestial Clockwork) (1995), Woman on Top (2000), Habana Eva ("Havana Eva" (2008).
Producer
A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.
Screenplay
A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.
Director
A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.
Self
Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Writer
A whimsical fish-out-of-water story of two spoiled sisters: Nora (Camilla Belle), a law student, and Mary (Alexa Vega), an undergrad party girl, living with their father in a luxurious mansion in Beverly Hills. Mary has become so "90210" she refuses to admit she is of Mexican decent. When dad suddenly passes away, their posh lives are turned upside down. They discover they have been left penniless and are forced to move into their estranged aunt Aurelia's (Adriana Barraza) modest but lively home in the Latino-centric Boyle Heights neighborhood of East LA.
Producer
In a Havana, shaken by Fidel's retirement, a young seamstress, trapped in a sweatshop job, dreams of designing beautiful dresses. Frustrated by her lazy, though adorable Cuban boyfriend, she meets a sophisticated ex-patriot Cuban-Venezuelan who dazzles her with a glamorous future. After many deceptions and surprises, Eva has to choose between the two men she loves. Hers is an unexpected decision... a humorous metaphor of Cuba's options for the future
Director
In a Havana, shaken by Fidel's retirement, a young seamstress, trapped in a sweatshop job, dreams of designing beautiful dresses. Frustrated by her lazy, though adorable Cuban boyfriend, she meets a sophisticated ex-patriot Cuban-Venezuelan who dazzles her with a glamorous future. After many deceptions and surprises, Eva has to choose between the two men she loves. Hers is an unexpected decision... a humorous metaphor of Cuba's options for the future
Writer
Li-ann, a dreamer, is a strong believer of the soul mate theory and rejects all men, especially her best friend KS, till she falls in love with Jeremy, at first sight. They tour Chinatown, Singapore, together on February 29 1980. Unfortunately, she is heartbroken when he tells her he is engaged. He decides to make up to her by meeting her same time, same place, every leap year. Their love spans twenty years, as they realize the pain of love until they take the leap of faith...and the leap of love...
Executive Producer
Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.
Director
Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.
Writer
Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.
Director
Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.
Writer
A young girl is sent to a South American hacienda, where she learns about the life of her reclusive aunt, Oriana.
Director
A young girl is sent to a South American hacienda, where she learns about the life of her reclusive aunt, Oriana.
Script
Everybody takes advantage of Fernand who has just come out of prison.
Non-US directors speak about the idiosyncrasies of filmmaking in their respective countries. Because of the difficulty of financing, very few American film directors establish a body of work. For American women directors, the problem is two-fold. But in Europe, Canada, and some countries of South America, filmmaking is often government subsidized, making it possible for filmmakers to become prolific in their craft.
