Camera Operator
"Several times a day, for many months, I went out to the terrace of my house to look at the terrace next door, which is the terrace of a nursing home. I went out as soon as I got up and before going to bed, as in a ritual. And soon, over the course of the weeks, I went out several times a day to look at that space, a window between two concrete blocks, a mysterious door, the light on the ceilings." (Gustavo Fontán)
Screenplay
An actor's world comes crashing down after he learns that his wife has left him.
Director of Photography
Screenplay
A seven year old boy travels in Mexico with his mother, an addict to pain-killers who is unable to care for him and is hoping to persuade his dead father's family to take him off her hands. Emotionally alienated, the boy wanders around a hotel, taking refuge in his haunted imagination.
Director
A seven year old boy travels in Mexico with his mother, an addict to pain-killers who is unable to care for him and is hoping to persuade his dead father's family to take him off her hands. Emotionally alienated, the boy wanders around a hotel, taking refuge in his haunted imagination.
Cinematography
The stopped time of the entrerriana siesta. The songs of a woman like suspension bridges. A lost foreigner with desire to be. A day, an encounter. Almost like a documentary, the film introduces to us in this place; a news article to the Earth, the landscape; where a small one, but deep fiction history is shown with simplicity, the intensity and the love of the rural atmosphere that contains it.
Director of Photography
La orilla que se Abisma is conceived as a journey, a trip along a river. Like rivers, like all journeys, the film has meanders, small riverbeds, detours and moments of rest.
Director
A who-is-it setting in the claustrophobic corridors of an abandoned and locked-off office building that has several guests invited to a party by their mysterious, unknown host. Only it is they who are the victims of their crimes. Suspense and mistrust are not the only stalker in this cat and mouse game of wits and fear. Who is the stalker? Why is he killing? And what is it exactly that everyone here has in common?
Writer
A who-is-it setting in the claustrophobic corridors of an abandoned and locked-off office building that has several guests invited to a party by their mysterious, unknown host. Only it is they who are the victims of their crimes. Suspense and mistrust are not the only stalker in this cat and mouse game of wits and fear. Who is the stalker? Why is he killing? And what is it exactly that everyone here has in common?
Editor
Rodrigo Garcia's Ten Tiny Love Stories follows the stories of ten women with very different emotional and psychological experiences across ten scripted monologues.
