Luis Cámara

Filmes

Luz de agua
Camera Operator
"Several times a day, for many months, I went out to the terrace of my house to look at the terrace next door, which is the terrace of a nursing home. I went out as soon as I got up and before going to bed, as in a ritual. And soon, over the course of the weeks, I went out several times a day to look at that space, a window between two concrete blocks, a mysterious door, the light on the ceilings." (Gustavo Fontán)
Estás me Matando Susana
Screenplay
Eligio acorda em uma manhã e descobre que sua esposa Susana o deixou sem dizer uma palavra sobre seus motivos ou paradeiro. Ele decide embarcar em uma viagem da Cidade do México até uma universidade de Iowa, nos Estados Unidos, para lutar pela mulher que ama. Ao chegar, ela parece ter seguido em frente com sua vida, mas Eligio resolve usar seu charme para conquistá-la enquanto enfrenta as dificuldades de um lugar estrangeiro.
El día nuevo
Director of Photography
Silencio
Screenplay
A seven year old boy travels in Mexico with his mother, an addict to pain-killers who is unable to care for him and is hoping to persuade his dead father's family to take him off her hands. Emotionally alienated, the boy wanders around a hotel, taking refuge in his haunted imagination.
Silencio
Director
A seven year old boy travels in Mexico with his mother, an addict to pain-killers who is unable to care for him and is hoping to persuade his dead father's family to take him off her hands. Emotionally alienated, the boy wanders around a hotel, taking refuge in his haunted imagination.
The Yellow
Cinematography
The stopped time of the entrerriana siesta. The songs of a woman like suspension bridges. A lost foreigner with desire to be. A day, an encounter. Almost like a documentary, the film introduces to us in this place; a news article to the Earth, the landscape; where a small one, but deep fiction history is shown with simplicity, the intensity and the love of the rural atmosphere that contains it.
The Shore That Falls
Director of Photography
La orilla que se Abisma is conceived as a journey, a trip along a river. Like rivers, like all journeys, the film has meanders, small riverbeds, detours and moments of rest.
Armadilha de Aço
Director
Cinco convidados diferentes recebem uma misteriosa mensagem de texto que os convida a ir a uma festa VIP exclusiva que é comemorada no 27º andar de um prédio abandonado. Uma vez lá, os 5 aventureiros e 2 penetras descobrem um quarto completamentamente decorado com um tema infantil e etiquetas com os nomes deles: Pig, Loser, Two-Faced, Heartless, Loverboy. O que era uma festa agora parece estar se tornando um pesadelo.
Armadilha de Aço
Writer
Cinco convidados diferentes recebem uma misteriosa mensagem de texto que os convida a ir a uma festa VIP exclusiva que é comemorada no 27º andar de um prédio abandonado. Uma vez lá, os 5 aventureiros e 2 penetras descobrem um quarto completamentamente decorado com um tema infantil e etiquetas com os nomes deles: Pig, Loser, Two-Faced, Heartless, Loverboy. O que era uma festa agora parece estar se tornando um pesadelo.
Ten Tiny Love Stories
Editor
Rodrigo Garcia's Ten Tiny Love Stories follows the stories of ten women with very different emotional and psychological experiences across ten scripted monologues.