Alfred Bjerre Larsen

13-year-old Benjamin discovers that his mother didn’t die in an accident as he was led to believe. The trail leads to high-ranking officials in the Danish Secret Service. "Trust no one!", he is told.

デンマークの児童書をアニメ化するアクション・アドベンチャー。いじめられっ子の少年が祖父からもらった忍者人形。そこに日本の忍者の魂が宿っていたことから、少年はとんでもない事態に巻き込まれてしまう。

Life in Solby is nice and peaceful until one day Mitcho and Sebastian find a message in a bottle by the harbour. The bottle is from the missing mayor of Solby with a message that he is on a mysterious island and has made a great discovery. Now they must embark on a perilous journey to help save the mayor and bring him home, and in the process they uncover something that will bring great pleasure to the city of Solby – a giant pear.

Bertram’s uncle, a petty criminal, hurls him and the whole family into the kidnapping of a rich man’s son to get money for a new flat after they’ve been kicked out by the bailiff. But things don’t go quite as planned. The film is an action-packed gangster comedy for the whole family, a kind of “Ocean’s Eleven” for children and the young at heart.

'Familien Jul' is a Danish family film, where Hugo's father hates July Neither elves, men or Christmas gifts can get him in the Christmas mood, and he is most happy when the holidays are over. Nissen Pixy is therefore quite unfortunate as he stays away from the sleigh and left alone at the family Christmas, but fortunately he soon becomes good friends with Hugo. Along with his siblings Hugo tries to save their new friend, but even if no one believes in elves, they are still difficult mighty hard to hide .

Maybe the best thing to come out of Scandinavia during the hippie years was, in fact, the story of a radical libertarian and a hedonist capitalist. Their friendship, forged by being outsiders in a conformist country, took them through years of adulation and success, with slight detours into the welcoming arms of vilification and imprisonment. A joyride through taxation, mass travel, hookers and politics. Not feeling too constrained by historical facts, director Christoffer Boe's story of Simon Spies and Mogens Glistrup covers just a few of their decades in a tale of warmth and humour, defiance and eccentricity.