Writer
Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.
Director
Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.
First Assistant Director
舞台は1936年。プリンストン大学で教鞭を執る高名な考古学者インディアナ・ジョーンズ教授（インディ）には、世界中の宝物を探し発見するというトレジャーハンターとしての顔があった。ある日、陸軍諜報部よりインディの下にナチス・ドイツがタニスの遺跡を発見して聖櫃（アーク）の発掘に着手したという情報が舞い込む。また情報部が傍受したドイツ軍の電報によれば、聖櫃の在り処を示す重大な手がかりラーの杖飾りはインディの恩師であるアブナー・レイヴンウッド教授の手にあるという。何としてでもナチスより先に聖櫃を手に入れろとの依頼を受け、インディは聖櫃の争奪戦に臨む。
Director
"Ambassadors" is a euphemistic name given by the French to Arab "guest-workers," or imported laborers. In this film, the Arab workers are shown enduring the difficulties of life in a racist society, as well as the hardships they impose on one another.
