Costume Designer
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
Costume Design
Following the success of his first foray into opera, Einstein on the Beach, revolutionary American composer and musician Philip Glass soon turned to another great figure of the 20th century for inspiration. Set to lines from the Hindu Bhagavad Gita, Satyagraha depicts scenes from the life of Gandhi as he developed his philosophy of non-violent resistance in South Africa between 1896 and 1913. The opera became the second installment of Glass’s Portrait Trilogy, focused on innovators from across history. Satyagraha arrived at the Met during the 2007–08 season, when director Phelim McDermott made his debut with a production that employed everyday materials like newspaper and corrugated tin to create towering puppets and striking tableaus. In 2011, his staging returned, this time recorded live in HD. In this performance, tenor Richard Croft gives a moving performance as Gandhi, leading a remarkable ensemble cast conducted by Dante Anzolini.
Costume Supervisor
A morality tale of xenophobia, religious prejudice, mob violence, poverty, and their effect on two children in Liverpool during the Depression. When a shipyard closes, Liam and Teresa's dad loses his job. Liam, who's about 8, making his first Holy Communion, gets a regular dose of fire and brimstone at church. Teresa, about 13, has a job as a maid to the Jewish family that owns the closed shipyard. The lady of that house is having an affair, and Teresa becomes an accomplice. Liam stutters terribly, especially when troubled. Dad comes under the sway of the Fascists, who blame cheap Irish labor and Jewish owners. A Molotov cocktail brings things to a head.
